Reverse engineering Hillary’s crimes: media have it backwards

Reverse engineering Hillary’s crimes: media have it backwards

by Jon Rappoport

August 24, 2016

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

The Hillary email scandal and the Clinton Foundation scandal have been slithering, segment by segment, into public view.

And now we have “pay to play.”

The latest revelation, from the Associated Press:

“More than half the people outside the government who met with Hillary Clinton while she was secretary of state gave money — either personally or through companies or groups — to the Clinton Foundation. It’s an extraordinary proportion…Combined, the 85 donors contributed as much as $156 million [to the Foundation].”

The implication is clear. “You want a favor from the State Department? Pay the Clinton Foundation.”

The National Review gives us the tip of the iceberg:

“Crown Prince Salman of Bahrain wanted a sit-down with Secretary Clinton but was rebuffed; Clinton Foundation executive Douglas Band intervened through [Huma] Abedin to try to find a work-around for the crown prince, who gave donations to the Clinton Global Initiative totaling $32 million through 2010. Donations to the Clinton Foundation came in from the kingdom itself and from the state oil company. Band also intervened to secure a visa for a foreign athlete held up because of his criminal record, doing so at the behest of donor Casey Wasserman, a Hollywood sports-entertainment mogul, whose foundation has contributed between $5 million and $10 million to the Clinton Foundation…”

But let’s put all this in the right perspective. Let’s reverse engineer this. The media has it backwards.

Heading up the State Department didn’t incidentally afford Hillary the opportunity to funnel cash into the Clinton Foundation, in return for granting favors to donors. No.

Head of the State Department was her side job. She was really an officer of the Foundation. And as such, she picked out a plum position that would allow her to expand the Foundation’s coffers: she became Secretary of State.

It would be like the son of a mafia crime boss landing a slot as a judge, so he could rule in favor of his father’s mob associates in court. The judgeship was just an angle, a way of serving the family. The family comes first.

Yes, as Secretary of State Hillary could remain in the public eye—an essential factor for her later run for President. And she could also exercise her passion for making war and wreaking havoc: Libya is a prime illustration. But behind it all, she has been Hillary Clinton of the Clinton Foundation.

Right now, as the latest chapter in the Clinton Foundation scandal is exploding, Bill, her husband, is promising to tighten Foundation rules for accepting donations. He’s presenting a typical mafia ploy: “The Family is getting out of the rackets. We’re going completely legit.”

Sure they are. Bill and Hillary have an itch that can never be scratched. They have to run a racket. They have to pile up money through cons and schemes and payoffs. That will never change.

Hillary convincing Obama to give her the Secretary of State job was a champagne moment for the Clintons. The husband and wife team were in clover. The State Department would become their satellite office for the Foundation, and as such, it would go global and suck in gobs of cash from California to Saudi Arabia.

Annual huddle of the Foundation: “Well, folks, our marketing arm, also known as the State Department, has exceeded all expectations. Everything we’ve been working for, all these years, is coming to fruition. It’s called free money, and we’ve got it.”

What Hillary has done is typical for any clandestine agent: she went undercover; her cover story was, she was Secretary of State; in that role, she achieved hidden ulterior objectives.

Mission accomplished.

Except, as usual, she and her husband did sloppy work. They failed to conceal their operation properly. They wandered off the reservation.


The Matrix Revealed


What’s next? Well, how about the Clinton Global Initiative? What might be discovered during a deep probe of that charity? Now we’re talking about real money: over 2000 projects and 69 billion dollars raised (Reuters, 9/22/11). Who diverted and kept how much of that gargantuan sum? Who used money from that vault to extract favors?

Doug Band, the long-time Clinton associate who pulled off this fund-raising feat, was also, according to reports, the man who convinced Obama to give Hillary the job of Secretary of State. If true, one wonders if Band made the President an offer that was hard to refuse: a financial boon after the Oval Office faded in the rear-view mirror.

Every President needs a nest egg, something to fall back on after rendering public service to the nation.

Why shouldn’t the Clintons throw a few large bags of cash out of a plane winging over Hawaii, as the Chosen One and his family arrive to build their new home on a hill?

It’s only fair.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Will Europe crumble and disappear?

Will Europe crumble and disappear?

by Jon Rappoport

August 24, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

These are notes from my work-in-progress, The Underground:

“The open-door immigration policy of the European Union is justified by pointing out Europe’s guilt for past colonial sins. Well, I have news. You can go anywhere in the world, focus in on any nation, any tribe, and you can discover that, at some point in the past, they did grievous harm to some other group, nation, tribe, or to their own people. You can use history to claim that everybody should give back everything to everybody else. Everybody should be down on their knees, weeping and gnashing their teeth and giving away all they have. Stimulating guilt in order to seize and maintain power is a strategy as old as the hills, but the current generation seems never to have heard of it.”

“Under the corrupt banner of the European Union, the whole continent is now seen as a giant charity agency; the receiving ward for waves of immigrants who, for any reason, want to arrive and settle. The past brilliance and innovation of Europe now is relegated to myth. Saving everyone—an impossible feat—is on the table. Of course, Europe as humanitarian messiah is a piece of propaganda, nothing more. The actual intent is wiping out separate European nations and their traditions. But this is not supposed to be discussed.”

“The EU is the fulfillment of various master plans. One continent, under one government and one economy. Instead of waving the sword of conquest, the strategy is ‘share and care’, ‘greatest good for the greatest number’.”

“Make a list of the great European artists and inventors of the last 10 centuries. Those names are now irrelevant. It’s a fascist felony to invoke them. They’re just distractions from the modern crusade: save the whole world. Give up everything in the process. The Utopians are at it again, spinning their fantasies for the gullible, while planning how to make their iron hammer bigger. No wonder the Roman Church is on board.”

“The Global Citizen as a role is a now an artifice. It’s a stripped-down, brain-addled position to be occupied by a bureaucratic functionary. With a few Disneyesque slogans, he’s off and running, saving this and that. The young think they’re discovering ‘the real road to salvation’, which no one has ever conceived of before. And the European Union is the extended modern ‘body of Christ’.”

“This dream of One Europe is not new. Men we might otherwise consider brilliant have touted it as ‘the solution’. James Joyce: ‘If Ireland is to become a new Ireland she must first become European’. Winston Churchill: ‘If Europe were once united in the sharing of its common inheritance there would be no limit to the happiness, the prosperity, and the glory which its 300,000,000 or 400,000,000 people would enjoy’. Victor Hugo: ‘No more frontiers! The Rhine for everyone! Let us be the same Republic, let us be the United States of Europe, let us be the continental federation, let us be European liberty, let us be universal peace’! —But how easy it is to anticipate the ACTUAL outcome of this vision, knowing it is placed in the hands of corporate, government, and banker mafia-bosses.”

“The primary purpose of the French citizen and the German citizen and the British citizen is not ‘loving each other’. It is not their destiny to melt into one cheese Glob.”

“Throughout Europe’s history, despite the wars of blood, great men and women have appeared in its midst. They have forwarded freedom and invention. They were beyond notions of restrictive nationality, but that does not mean they were pan-Europeans. They weren’t striving to build one political system for the continent. They exemplified liberation. By and for the individual.”

“Killing Europe is the Globalist dream. Reducing it to one welfare state, drained of all ambition, is the strategy. Ruling it as a police state, on behalf of a ‘worker’s paradise’, is the end-game.”

“In the late 18th century, America’s first foreign policy rule was to avoid Europe, with its secret alliances and wars. But in the emergence of the American Republic, the first acknowledgement was to Europe, where the foundation for individual liberty was built. What Europe achieved, in that regard, was no accident. It was the end result of a centuries-long struggle. But now the leaders of Europe are determined to throw all that away. To bury the history, as if it had never happened. If there is any alliance between America and Europe now, it should be based on the original vision of individual liberty. That connection should be forged again.”

“Under the top-heavy national governments of Europe, and under the massive EU bureaucracy that sits on top of the governments, the message to the population of Europe is clear: ‘Keep your eyes straight ahead, fit into your slot, don’t dissent, and collect as many government freebies as you can. Cede your individual power to the collective, and take heart in the fact that your participation in the whole is a heroic act—because the whole collective IS the hero.’ Really? Any child should be able to see though that formulation in a few seconds.”

“Anyone who believes the entire reason for Europe opening its doors wide, to unlimited migration, is payment for past colonial sins, committed in other parts of world, should take a look at Angela Merkel, one of the foremost proponents of unlimited immigration. Do you really think she is trying to atone for the past? She is an agent of Globalism. She is carrying out that agenda.”

“Once a top-heavy all-encompassing national government takes power, it’s an easy step to imposing a still higher level of control—in this case, the EU. Why not? The citizens have already been entrained to accept autocratic rule from above—just add another layer. Few people will notice it. It’s more of the same. The people keep believing they’re getting marvelous goodies for free, even as they’re paying higher taxes. The transition from “free individual” to “citizen” is a given. And citizens eventually think of themselves as PARTS OF A WHOLE. Massive propaganda assures them that this conception is SPIRITUAL. This is what the cosmos wants. This is what the cosmos is.”

“It would be interesting to do a poll in the street, based on the following statement: ‘We’re getting people to sign a petition to eliminate the word INDIVIDUAL, because the needs of everybody come first, because we have to think of what is good for everyone…’ How many people would jump on board?”

“Europe is becoming a ghost of its former self. The former self has less and less influence, because fewer people remember or understand what it was, what it meant. This is no accident. Education is the tool for forgetting. WE ARE SEEKING APPLICANTS FOR THE UNIVERSITY OF AMNESIA. ALL ARE WELCOME.”

“Shakespeare? Bach? Goethe? Mozart? Raphael? Rembrandt? Degas? Yeats? Who were they? Who cares? We have different problems now. The only people who can solve them are our leaders. We need more equality. We need to make sure everyone is the same.”

“In the former Soviet Union, if you lived in an apartment building where garbage accumulated and stank on the stairs, you left it there, because your neighbor, living in the next building over, had garbage on his stairs. If you removed yours, it would make him look bad. This is where Europe is heading.”

“John Locke? Albert Camus? Rimbaud? Cezanne? Jane Austen? Are they EU Commissioners? Are they doing a good job?”

“It will be seen that, if person A can read, and person B can’t, person A has an unfair advantage, which he gained through illegitimate ‘privilege’. Therefore, instead of person B learning to read, the smoother course will be to make person A’s advantage meaningless. How will this be done? By engineering a future in which no one needs to read. A top-heavy bureaucracy always brings about a generalized solution.”


Exit From the Matrix


“Why, for example, should the Scandinavian countries have their own languages? This surely creates barriers. However, instituting and teaching one new language for everyone presents problems. The answer? Create a future in which language is barely necessary. Half the citizens will arrange and monitor the lives of the other half, by pressing keys on machines. The details of the plan? The EU will eventually work them out.”

“The EU will bring in a new money system: every person who resides on the continent will receive a basic income. He/she can spend that digital credit as desired. A bell will ring in some store or on some website when a person’s credit account reaches zero. And when enough zeroes are attained, people will riot and demand further income. Their wishes will be granted, as long as they don’t leave their homes after 8PM.”

“All Europeans will, in one way or another, as direct employees or contractors, work for the EU. Of course, work will be defined as: whatever you can get away with. Because no one will care.”

“There is no algorithm that can predict the precise moment when Europeans will have had enough. But there is such a moment. At that point, large numbers of people will begin remembering that Europe once had its greatnesses. And they will be willing to imagine new greatness in terms that crack the pillars and the foundations stones of the EU. This will mark the return of the individual.”

But why wait? Wait for what?

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

The film Vaxxed could be outlawed in California, if this bill passes

The film Vaxxed could be outlawed in California, if this bill passes…

California bill AB 1671

by Jon Rappoport

August 22, 2016

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)

“Let’s see, Mr. Reporter. You received an undercover recording of a medical researcher confessing his crimes. You posted the recording and wrote about it. You’re the one who is guilty of a crime. Next case!”

“Wait, Your Honor! That recording is vital information for the public. It shows that a vaccine considered to be safe actually causes brain damage in children.”

“No. It shows you violated the law by posting the recording. It was illegally made, and you aided and abetted and forwarded that crime. As I said, next case!”

Buckle up.

The shocking film Vaxxed (trailer) is drawing audiences all over the country. It details the confessions of a CDC researcher, William Thompson, who states that he and his colleagues buried data in a key study on the MMR vaccine.

In the study, the vaccine was given a free pass, with assurances that it didn’t increase the risk of autism in children—when, in fact, the data showed it did increase that risk.

***The key moments in Vaxxed are audio recordings of CDC researcher Thompson confessing his sins.

But wait. Now we have a bill, AB 1671, up before the California legislature. If it passes, it could make it a crime to screen Vaxxed or even write an article about it.

Those recordings of Thompson could be labeled “undercover,” and “illegal,” and therefore make them the target of AB 1671.

Furthermore, AB 1671 specifically seeks to protect “healthcare providers” from “exposure” via “undercover recordings” documenting their crimes. Certainly, by stretching the definitions a bit, the CDC, for whom Thompson works, and Thompson himself, could be considered such healthcare providers. Lawyers could argue that position until the cows come home and hang up a case in various courts for years—while an injunction prohibiting the screening of Vaxxed remains in force.

Nick Cahill, at the Courthouse News Service, reports on AB 1671 (“Abortion Clinic Sting Videos Sprout Free-Speech Battle”, Thursday, August 11, 2016):

“The bill would criminalize publishing undercover video footage of ‘health care providers’ and subject third parties, including journalists, to penalties for reporting and distributing the illegally recorded footage.” [My comment: It appears criminal penalties could be applied to anyone who posts the videos and comments on them, online. Not just reporters. And surely, audio recordings, as well as videos, would be banned.]

Cahill continues: “Under AB 1671, a journalist receiving and posting footage from an anonymous source could be punished by the state as well as be opened up to potential civil lawsuits. Whistleblowers would not be exempt from the proposal either, regardless of how they obtained the illegal footage.”

In the case of Vaxxed, the film makers received or obtained the recordings of CDC researcher Thompson and used them to make their case: Thompson was confessing to crimes he and colleagues committed at the CDC.

But if AB 1671 passes, releasing those recordings and commenting on them, in a film, could be considered a crime, punishable by fine, jail—and the film makers could also be open to lawsuits.

And of course, Vaxxed could be banned from all theaters in California.

As bizarre as it seems, AB 1671 isn’t just targeting people who make the undercover recordings. Its focus is on reporters who receive those recordings and then use them, post them, and write about them.

This lunatic attack on free speech coordinates tightly with the infamous 2015 California law, SB277, which made vaccinating California school children mandatory.

Vaxxed certainly raises ominous questions about that law—and now the government of California is considering the addition of a new law that could ban Vaxxed.


power outside the matrix


DON’T EVEN REPORT VACCINE CRIMES.

“Your kids must get vaccinated, and don’t report vaccine crimes and vaccine damage, when the knowledge of that damage comes from ‘undercover recordings’.”

That’s quite stunning, when you think about it.

The California Gestapo is trying to expand its reach.

Do you really think all this effort is coming from some genuine concern for “protecting the children?”

If so, you’re badly mistaken. This is about naked suppression of the truth, big profits for vaccine manufacturers, and neurological damage in kids.

If you don’t think so, see Vaxxed.

While you can.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Salvador Dali vs. The Matrix

Salvador Dali vs. The Matrix

by Jon Rappoport

August 22, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Dali, the painter: Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Pubol (11 May 1904 – 23 January 1989).

His self-appointed task: shake up reality.

Make the impossible intrude on the ordinary. Expose and confound the critics and the press. Whenever the establishment tries to define who he is, become something else.

The critics would have declared Dali a mental patient if he hadn’t had such formidable classical painting skills.

He placed his repeating images (the notorious melting watch, the face and body of his wife, the ornate and fierce skeletal structures of unknown creatures) on the canvas as if they had as much right to be there as any familiar object.

This was quite troubling to many people. If an immense jawbone that was also a rib or a forked femur could rival a perfectly rendered lamp or couch or book (on the same canvas), where were all the safe and easy accoutrements and assurances of modern comfortable living?

Where was the pleasantly mesmerizing effect of a predictable existence?

Where was a protective class structure?

To make it worse, Dali invented vast comedies. But the overall joke turned, as the viewer’s eye moved, into a nightmare, into an entrancing interlude of music, a memory of something that had never happened, a gang of genies coming out of corked bottles.

What was the man doing? Was he making fun of the audience? Was he simply showing off? Was he inventing waking dreams? Was he, God forbid, actually imagining something entirely new that resisted classification?

Dali’s greatest paintings were undeniable symphonies, and mere acknowledgment of his talent would not explain how he composed the movements.

Words failed viewers and critics and colleagues and enemies.

But they didn’t fail Dali. He took every occasion to explain his work. However, his explications were handed out in a way that made it plain he was telling tall tales—interesting, hilarious, and preposterous tall tales.

Every interview and press conference he gave, gave birth to more attacks on him. Was he inviting scorn? Was he really above it all? Was he toying with the press like some perverse Olympian?

Media analysts flocked to make him persona non grata, but what was the persona they were exiling? They had no idea then, and they have no idea now.

It comes back to this: when you invent something truly novel, you know that you are going to stir the forces trapped within others that aspire to do the very same thing. You know that others are going to begin by denying that anything truly NEW even exists. That DOES make it a comedy, whether you want to admit it or not.

It is possible that every statement ever uttered in public by Dali was a lie. A fabrication. An invention dedicated to constructing a massive (and contradictory) persona.

Commentators who try to take on Dali’s life usually center on the early death of his young brother as the core explanation for Dali’s “basic confusion”—which resulted in his “bizarre behavior.”

However, these days, with good reason, we might more correctly say that Dali was playing the media game on his own terms, after realizing that no reporter wanted the real Dali (whatever that might mean)—some fiction was being asked for, and the artist was merely being accommodating.

He was creating a self that matched his paintings.

It is generally acknowledged that no artist of the 20th century was superior to Dali in the ability to render realistic detail.

But of course Dali’s work was not about realism.

The most complex paintings—see, for example, Christopher Columbus Discovering America and The Hallucinogenic Toreador—brilliantly orchestrated the interpenetration of various solidities of realities, more or less occupying the same space.

I’m sure that if Dali were living today, he would execute a brain-bending UFO landing on the front lawn of the White House. Such a painting would envelop the viewer with several simultaneous dimensions colliding outside the president’s mansion.

At some point in his career, Dali saw (decided) there was no limit to what he could assemble in the same space—and there was no limit to the number of spaces he could corral on the same canvas. A painting could become a science-fiction novel reaching into several pasts and futures. The protagonist (the viewer) could find himself in such a simultaneity.

Critics have attacked the paintings relentlessly. They hate the dissonance. It’s a sign that Dali could give full play to his imagination—a sin of the first order. They resent Dali’s mordant wit, and rankle at the idea that Dali could carry out monstrous jokes—in such fierce extended detail—on any given canvas.

But above all, the sheer imagination harpoons the critics. How dare a painter turn reality upside down so blatantly, while rubbing their faces in the detail.

The cherry on the cake was: for every attack the critics launched at Dali the man (they really had no idea who he was), Dali would come back at them with yet another elaborate piece of fiction about himself. It was unfair. The critics were “devoted to the truth.” The painter was free to invent himself over and over as many times as he fancied.

Dali was holding up a mirror. He was saying, “You people are like me. We’re all doing fiction. I’m much better at it. In the process, I get at a much deeper truth.”

Dali was the hallucinogenic toreador. He was holding off and skirting the charges of the critics and the historians. They rushed at him. He moved with his cape—and danced out of the way.

The principles of organized society dictate that a person must be who he is, even if that is a cartoon of a cartoon. A person must be one recognizable caricature forever, must be IDed, must have one basic function. Must—as a civilization goes down the trail of decline—be watched and recorded and profiled.

When a person shows up who is many different things, who can invent himself at the drop of hat, who seems to stand in 14 different places at the same time, the Order trembles.

This is not acceptable.

(Fake) reality declares: what you said yesterday must synchronize absolutely with what you say today.

This rule (“being the only thing you are”) guarantees that human beings will resonate with the premise that we all live and think and work in one continuum of space and time. One. Only one. Forever.

That’s the biggest joke of all. The big lie.

Whatever he was, however despicable he may have been in certain respects, Dali broke that egg. Broke the cardinal rule.

He reveled in doing it. He made people wait for an answer about himself, and the answer never came. Instead, he gave them a hundred answers, improvised like odd-shaped and meticulous reveries.

He threw people back on their own resources, and those resources proved to be severely limited.

How harsh for conventional critics to discover that nothing in Dali’s education produced an explanation for his ability to render an object so perfectly on the canvas. It was almost as if, deciding that he would present competing realities inside one painting, he perversely ENABLED himself to do the job with such exacting skill, “making subversive photographs come to life.”

That was too much.

But there the paintings are.

Imagination realized.


Exit From the Matrix


Like it or not, Dali paved the way for many others. He opened doors and windows.

And the pressure has been building. The growing failure of major institutions (organized religion, psychology, education, government, the press) to keep the cork in the bottle signals a prison break in progress.

More people understand that the veil is not really a veil of tears. It’s a curtain madly drawn across the creative force.

The pot is boiling. People want out.

Somewhere along the line we have to give the green light to our own creative power. That is the first great day. That’s the dawn of no coerced boundaries. Everything we’ve been taught tells us that a life lived entirely from creative power is impossible. It’s crazy. It’s meaningless. We don’t have it within us. We should maintain silence and propriety in the face of greater official power and wisdom. We must abide by the rules. We must, at best, “surrender to the universe.”

But what if, when we come around the far turn, we see that the universe is us? Is simply one part of imagination? Is a twinkling rendition installed to keep us titillated with dreams that would forever drift out of reach?

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Are we living inside a virtual simulation?

Are we living inside a virtual simulation?

by Jon Rappoport

August 21, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

A 2012 study out of Bonn University led to a new round of speculation about the nature of the universe. (See here and here.)

The study proposes that cosmic rays undergo a strange energy shift. The energies are “re-fitted” to align with an underlying pattern or lattice. There is only one proper fit; no exceptions are permitted.

If the lattice is, indeed, a basic pixel-like Reality we are interacting with every day of our lives, then we could be living inside a created artifice.

A simulation.

Put this description alongside the hypothesis that the universe is a hologram: lines of code inscribed on a two-dimensional surface deliver instructions on how the lattice is built, and what its properties are.

In other words, the software which holographically projects the universe includes the exact structure of the lattice.

Then, by the rules of the game, energies which don’t automatically plug into the lattice framework precisely as they’re supposed to are “snapped to” a correct fit, as Mike Adams (Natural News) has suggested.

Mike has made the analogy to a television picture, which consists of pixels that have their own dimensions and structure. So if we imagine an all-encompassing “television picture,” this would be the lattice-controlled reality we live in.

In the long-term project of putting together my collections The Matrix Revealed and Exit From The Matrix, I did a great deal of research on other notions of creation or “reality-building.”

It is clear that at deep levels, propaganda turns into self-propaganda. In order to live inside a Matrix or universe, we would have to produce, in ourselves, an extraordinary level of amnesia about what we can create.

The ancient Tibetans knew a great deal about this conundrum. Before they became a theocratic society of rites and rituals and a rigorous elitism, they were daring adventurers on the edge of experiments in consciousness.

Relying on the teachings of itinerant outcast adepts from India, they developed a practice called, by a few later scholars, “deity visualization.” (See John Blofeld, The Tantric Mysticism of Tibet)

Perhaps based on an already existing mandala-painting, a teacher would give his student a very detailed and specific “personage” to create in his imagination. This effort, if it was successful at all, might take months or even years.

The objective was to mentally hold the complex image intact, in every detail, not just for a few seconds or minutes, but indefinitely. If the student was successful at this arduous task, he would soon find that the personage he created seemed to take on a life of its own.

The personage or deity would become the student’s friend and guide and give him valuable advice and counsel. When the teacher sensed this relationship had progressed to a very close point, he would order the student to get rid of the personage altogether.

This, it was said, was more difficult than the original act of creating it. But if the student was able to perform both aspects (creative and destructive) of the exercise, he would then realize, see, and know, with full consciousness, that THE UNIVERSE WAS A PRODUCT OF MIND.

At that crossroad, he would be able to spontaneously take apart pieces of “the hologram” or “the lattice,” and even create (out of nothing) new objects that hadn’t existed before.

Perhaps those Tibetan adepts, in their practice, actually saw the lattice or even the two-dimensional surface on which the holographic code of the cosmos is inscribed.

Another clue concerning the origin or underlying force that made the universe is revealed through a study of the famous alchemical diagram: two crossed staves.

The four endpoints were said to represent the basic aspects or elements of Nature: earth, air, fire, and water. According to some alchemical interpretations, these elements were in eternal conflict with one another.

The resolution of the conflict was represented by the center-place where the two staves met. This mysterious intersection was called Quintessence, and its meaning was long debated.

Paracelsus, one of the most famous of the European alchemists, seems to have thought that Quintessence was, in fact, imagination.

In other words, our creative power could change the inherent design of reality.

The history of millions of artists on this planet directly points to the fact that, when freed from restraints, human beings become enormously creative. Every painting, play, poem, novel is a world of its own; a universe. This suggests that the physical universe is but one work of art, out of a possible infinity of universes.

William Blake made several remarkable statements about the power of imagination:

“Some see nature all ridicule and deformity…and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.”

“Imagination is the real and eternal world of which this vegetable universe is but a faint shadow.”

Of course, the notion of multiple universes is reflected in contemporary science. Physicist Brian Greene, author of The Hidden Reality, explains that Relativity and Quantum Theory, each highly useful in its own way, come into high mathematical conflict when set side by side.

One resolution of that conflict can be achieved through String Theory, in which tiny vibrating strings (in 10 or 11 dimensions) explain the makeup of this universe. But String Theory also suggests many surfaces or membranes or islands on which matter, energy, and time can exist: multiple universes.

No matter what force or power we say made this universe, a new day is here. We are coming to grips with the idea that the universe isn’t all the reality there is. Some find this disturbing. Others are inspired to feel it is intensely liberating.

Yet another hypothesis: we are living in an interpenetration of several simultaneous universes or planes of existence. And they’re all here now, if we could see them.

The rigorous lattice or holographic code defining this universe is merely the way one plane of existence is structured.

Rather than reduce all possible universes to the principles on which this one may be built, why not consider many, many other such “works of art?” Each universe is constructed or improvised out of the infinite well of creative freedom…


Exit From the Matrix


Could there be a greater illustration of the principle of Abundance?

Throughout history, humans have been reaching for, and elevating the idea of greater abundance. In one of the early Bible stories, Old Testament Joseph, as a boy, dreams of dancing sheaves of wheat. Wheat, grain was, for the ancients, a living symbol of abundance.

Johanna Stuckey, well-known researcher on early goddesses, points out that the Sumerian grain goddess, Ezina/Ashnan, was also called Lady of Abundance.

We have always sought, in faith, in hope, in myth, in story, in investigation the means for unending abundance. Now, we also see it reflected in our most far-reaching contemplations: not just one universe, but many universes, without end. Because if we are living in this virtual space and time, why shouldn’t other continua exist?

Are they all simulations? Is a painting a simulation? Not really. It’s an independent invention, undertaken in freedom, launched from the unfettered imagination of an artist. It is its own universe.

We are all artists.

With all veils and curtains lifted, this is the truth we have always known.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

The Matrix Revealed: my interviews on space-time manipulation

The Matrix Revealed: my interviews on space-time manipulation

by Jon Rappoport

August 20, 2016

In my collection, The Matrix Revealed, I include interviews with retired propaganda master, Ellis Medavoy, and another set of interviews with brilliant hypnotherapist Jack True.

The total of these 71 text interviews is 610 pages.

Jack and Ellis provide startling insights into how space and time are manipulated in the Matrix, in order to produce mind-control effects that go deeper than deep.

At the same time, understanding how time and space are engineered leads to breakthroughs and revelations about how the individual can liberate himself from this labyrinth.

In that sense, The Matrix Revealed is really about consciousness and its operations—in a shacked and limited condition, and freed from limitations.

Everything I’ve written as a reporter for the past 34 years feeds into this exploration and discovery.

Eventually, all roads lead to mind control and mind freedom.

As a reporter, I’ve always kept my eye on the goal: liberation of individual power.

Space and time are elastic. The illusion that they must be accepted as they appear to be creates a self-defeating structure. That structure can be cracked and nullified.


the matrix revealed


Here are the complete contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Plus…:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

Also included are 2 bonuses — which alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

This work is all about reinstating individual power, above and beyond what the Matrix implies and stands for. It is about insight, yes—but it is also about liberating one’s consciousness from the habit of accepting life on the terms by which it is given to us.

Thought and action can align themselves with Matrix, or they can strike out in a far more adventurous and galvanizing direction. A thrilling direction unique to each individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

My work: the individual returns to his creative fire

My work: the individual returns to his creative fire

by Jon Rappoport

August 19, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Through my articles, my Matrix collections, and my personal consulting services, I have one goal: bringing individuals back to their very capable minds, back to their own formidable power, their own imagination, their own creative force, their own deep desires and purposes.

When I began NoMoreFakeNews.com 15 years ago, I wasn’t sure how many people could handle this message. But I decided to find out. I’ve been pleasantly surprised, to say the very least.

If there is a tradition I have been adding to, all these years, it is early Tibet—before the priest class moved in and took over. The magicians and their students were engaged in an enterprise of extraordinary dimensions.

My research revealed that this tradition was initiated, some 1400 years ago, by teachers from India, who came to Tibet after being expelled from universities for their radical views.

These teachers rejected the content and cosmology of all spiritual systems.

They essentially stated that such metaphysical “pictures” of existence were creative inventions—

And that the true subject for study, contemplation, enlightenment, and, above all, exercise was the individual creative impulse itself—

Creative power, imagination, and invention, at the level of the individual.

The Tibetan exercises were fashioned to expand individual creative power without limit.

In that tradition, and for these modern times, I developed hundreds of imagination/creative techniques. More than 50 of these are offered and explained in my collection, Exit From the Matrix.


exit from the matrix


Here are the contents of Exit From The Matrix:

First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.