Outside the Reality Machine

Outside the Reality Machine

by Jon Rappoport

October 28, 2014

OutsideTheRealityMachine

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With very few exceptions, the history of philosophies and spiritual systems on this planet is the history of What Already Exists.

These varied systems may seek to probe behind the curtain, below the surface—but on whatever level they purport to operate, they are attempting to uncover ultimate Reality.

Meaning: a Reality that already exists.

The philosophers and priests don’t view this as a problem. And for the most part, their audiences don’t see a problem, either.

This is an astonishing state of affairs.

It is made astonishing because every human has the capacity to imagine and invent realities; and of course these realities don’t exist, have never existed, until they are invented.

Unfortunately, the overwhelming number of people prefer to ignore this fact. They prefer to attach themselves, like barnacles, to some reality that is already there, whether it is superficial or “profound.”

And were you to question them about their preference, they would fail to understand what you were talking about.

They’re marching in the parade and attending the carnival called What Already Exists.

The “there-ness” of What Exists is entrancing, hypnotic, the number-one box office hit of all time.

If you took such an entranced human and locked him in a room with a table, paints, brushes, canvas, and water—and told him he would only receive a meal when he produced two paintings, he would face a very steep situation:

His massive loyalty to What Already Exists would meet his desire to remain alive.

Some people, in that room, would opt for starvation. Others, despite everything they’d been taught to think, would begin to paint.

They would slide two paintings under the door and receive food through a slot. A meal.


Exit From the Matrix


They would do this three times a day—and at some point, after they had completed fifty paintings, a hundred paintings, a thousand, ten thousand, they would wake up from the deepest trance they had ever known.

They would see with new eyes. They would think with a new mind.

What Already Exists would fade into obscurity.

No, the physical world wouldn’t disappear. In fact, the painter would view it with new clarity and interest.

But first and foremost, he would know he can live by and through imagination.

He would understand his former ironclad and obsessed attachment to What Exists was itself achieved through an act of imagination. Not through mere acceptance.

That revelation would hit him between the eyes.

This world is run, on a daily basis, by reality-addicts. Their need for their next fix is overwhelming.

Getting that fix is what they call happiness.

This is what happens inside the Reality Machine.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

5 comments on “Outside the Reality Machine

  1. From Québec says:

    WOW! I’ve just finish listening to the interview with Steve Quayle about Ebola on the the Alex Jones show yesterday.

    This is an amazing interview that everybody here should listen to.

    The interview starts at 7:00

    Ebola Is The Endgame; Alex Jones talks with Steve Quayle
    http://blogdogcicle.blogspot.ca/

  2. Bonnie says:

    Precisely! That’s why I bought the “Power Outside The Matrix” course.

  3. babylovet says:

    Reality vs. Imagination is a false dichotomy which I think is a concept the author of this piece might agree with.

    In the realms of artistic creation it seems to me that the main thing is to tweak the “given reality” just enough so that it yields cascades of possibilities that were not considered or seen before.

    And that the greatest of the creators did something along this line. They took “the given”, “the accepted models”, and just ever so slightly turned them on their heads to yield something unique.

    And their greatest progenitors did the same thing.

    Ives, Armstrong, H. Bosh, Picasso, Parker, Coleman Hawkins, Bukowski

    When this tweaking ends then a form becomes static, becomes an antique and ceases to have much power or juice left. These are periods of cultural and artistic decline. Power makes the “powers that be” nervous and can even induce forces of repression.

    One can also see this in the natural world as evolutionary processes perform similar strategies.

    We call these “adaptations”.

  4. Louise Rosen says:

    When we arrived at ‘the party – the present reality,’ the rules and the foundations were already in place and had been there for hundreds of years. Tweaking the ‘what is’ merely allows one to alter what is already in place. Conforming to the status quo with minor changes is not creativity. While some may think they are being creative, they are merely mimicking what already is by alteration… no different than an auto maker incorporating minor changes to last year’s model… What if next year’s model flew and didn’t use gas? or try this: Beam me up, Scotty!

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