by Jon Rappoport
April 2, 2015
Often, it is the lack of perfection that moves the painter to strike out into previously unknown territory and find new forms.
Even Piero Della Francesca sometimes executed his figures in a rather wooden manner. From that platform, so to say, he invented another race of men and women who came from an unearthly place.
And what painter can say he achieved The Perfect? Michelangelo? Perhaps on occasion. But not always. And is the great statue of David his masterpiece? Not by a long shot.
So why not bend a nose instead of making it straight? Why not enlarge the nose so it takes over? Why not blur the distinction between the nose and the cheek? Why should the face be a face? Why can’t it be a chair?
And if so, why not just keep going and see what develops? It’s all foreign territory, it’s all new, it’s all emerging. It’s not an It.
To read the rest of this article, click here.
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.