AI and the future of medical treatment

by Jon Rappoport

July 17, 2018

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“Oh Doctor, what’s ailing me? Can I get a diagnosis? What’s that? AI [artificial intelligence] is handling it now? You mean I just go online and see the results of my tests and read the diagnosis and pick up my drugs outside my front door? Wow. Very nice.”

Really? Is it very nice?

As AI creeps and crawls into the realm of medical diagnosis and treatment, and as it spreads under the banner of “more precise care for the patient,” remember that AI embeds false data more firmly than any human doctor can. Once it’s in there, how do you get rid of it?

“I’m sorry, sir. There is no human to speak with. All our data are produced by algorithms…”

For example, suppose the flu you have isn’t the flu? Suppose it’s something else? AI would still diagnose you with flu, based on your profile of symptoms, and you could be prescribed a toxic antiviral drug you don’t need, and also put on a warning list of people whose flu shot isn’t up to date.

Dr. Peter Doshi, writing in the online BMJ (British Medical Journal), reveals a monstrosity.

As Doshi states, every year hundreds of thousands of respiratory samples are taken from flu patients in the US and tested in labs. Here is the kicker: only a small percentage of these samples show the presence of a flu virus.

This means: most of the people in America who are diagnosed by doctors with the flu have no flu virus in their bodies.

So they don’t have the flu.

Therefore, even if you assume the flu vaccine is useful and safe, it couldn’t possibly prevent all those “flu cases” that aren’t flu cases.

The vaccine couldn’t possibly work.

Here’s the exact quote from Peter Doshi’s BMJ review, “Influenza: marketing vaccines by marketing disease” (BMJ 2013; 346:f3037):

“…even the ideal influenza vaccine, matched perfectly to circulating strains of wild influenza and capable of stopping all influenza viruses, can only deal with a small part of the ‘flu’ problem because most ‘flu’ appears to have nothing to do with influenza. Every year, hundreds of thousands of respiratory specimens are tested across the US. Of those tested, on average 16% are found to be influenza positive.”

“…It’s no wonder so many people feel that ‘flu shots’ don’t work: for most flus, they can’t.”

Because most diagnosed cases of the flu aren’t the flu.

BUT DO YOU THINK AI IS GOING TO FOLD THESE REVELATIONS INTO ITS DATA BANK ON FLU? DO YOU THINK THIS MAJOR INSIGHT—WHICH BLASTS THE WHOLE FLU PROPAGANDA SHIP OUT OF THE WATER—IS GOING TO ALTER THE AI PROGRAM ON FLU DIAGNOSIS AND TREATMENT?

Of course not.

And there will be many, many other areas where AI is wrong— but engraved in stone.

For instance, the official refusal to classify all vaccines containing aluminum as highly toxic and dangerous—AI will bolster that intentional refusal. At that point, who are you going to argue with? A machine? The cloud?

NextGov is reporting on a version of AI now undergoing testing: “Scientists test new chemical compounds on animals…But an artificial intelligence system published in the research journal Toxicological Sciences shows that it might be possible to automate some tests using the knowledge about chemical interactions we already have. The AI was trained to predict how toxic tens of thousands of unknown chemicals could be, based on previous animal tests, and the algorithm’s results were shown to be as accurate as live animal tests.”

Sound good? How likely is it that such an automated database will include scores of toxic medical drugs that kill Americans at the rate of 100,000 a year?

Yes, that’s right, 100,000 a year. The citation is: Journal of the American Medical Association, July 26, 2000, Dr. Barbara Starfield, “Is US Health Really the Best in the World?”

Once AI is accepted as the Word on toxic chemicals, imagine the degree of difficulty in trying to add many medical drugs to the list.

“I’m sorry, sir. I don’t know anything about medicines. I just access the database on toxic chemicals and report what I find. Who is in charge of the AI here? Is that what you’re asking? I have no idea. Let me transfer you to a senior specialist in public communication. She’s quite busy at the moment. If you leave a message, you may receive a reply in the next few weeks. But I’m not sure she can help you. As I say, we take all our information from the database…”

Automation of data creates a new level of abstraction. Yes, it’s hard enough to argue with a human bureaucrat—but that’s nothing compared with trying to question an AI program.

And of course, in the medical arena, who is going to assemble that AI program and take charge of it? Who is going to decide what goes in the program and what is omitted?

Who is going to present that program to the public and characterize the AI as the fairest, most honest and objective system under the sun?

What will happen when the next 10 generations of schoolchildren are trained to believe in AI as the best and brightest source of truth on the planet?

When I was writing my first book, AIDS INC., in 1988, I started to become aware of artificially constructed templates of medical information—templates that could become AI productions in the next 10 or 20 years.

I was roaming the stacks in the UCLA bio-med library, digging up crucial information on various medical tests. These little-known published studies were showing how unreliable the diagnostic tests could be. But, as I discovered, this information had no place in medical school curriculum. In all conventional medical circles, it was ignored. As if it didn’t exist.

I found the ignored data in archived volumes of medical journals on the library shelves.

What happens when those volumes are shipped into warehouses for storage, and no one accesses them anymore?

What happens when the bright and shiny AI medical databases rule the landscape?

Part of my work for the past 35 years has been keeping medical truth alive and in front of readers. There is no expiration date on truth.

When you feed AI enough data, and sets of basic assumptions, it can and will construct a full-blown program that dictates a range of actions that should be taken. But, for example, suppose you told a nascent AI chess program that knights move only three squares forward, rooks can only move diagonally, and kings can jump over other pieces. You’ll get a brilliant chess system that bears very little resemblance to the actual game of chess.

This is exactly what happens when many underlying medical assumptions—which are false or grossly incomplete—are entered into an AI diagnostic and treatment system.

And much usable and beneficial truth will fade into the background and be lost.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


(Click here for my piece at my OUTSIDE THE REALITY MACHINE blog entitled
“David vs. AI supercomputer Goliath”)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Breakout from the controlled ordinary mind

by Jon Rappoport

July 16, 2018

When I was about to release my collection, Exit From The Matrix, I wrote several introductions. Here is one I didn’t publish. It shows how seriously I take what others consider a merely “quirky tendency” of humans to imagine a better and different future for themselves and this piece of space called Earth:

Suppose everything that is happening in the human world is taking place in a synthetic space, a grossly reduced arena; and suppose you could stand outside that space and look in. You would be seeing a great deal more than ‘what is going on’. You would be seeing how it is playing out, shot through with delusions at every turn; and of course the main delusion would be the space itself, as if nothing could be happening anywhere else but there, in that place. This is what the mind, all the minds, are telling themselves, as they fight over scraps. Humans have defined themselves as social constructs in small-time stage play.

The controlled mind thinks in the same patterns, over and over. It reworks familiar territory, and when that becomes insufferably boring, it lowers its energy output and initiates shutdowns.

Then it looks for outside stimulation that will replace thinking. The type of stimulation hardly matters, as long as it moves adrenaline through the system.

The decline of a society or civilization can be viewed in the same step-down fashion.

Occasionally, in passing, a writer makes reference to the creative impulse as a missing social factor, which could be remedied, for example, by restoring funding for arts programs in schools, as if that would repair a bureaucratic failing and thus restore balance to education and “the culture.”

Which is like saying Titans, who have developed profound amnesia about themselves, could recover their consciousness and power by shampooing their hair more frequently.

The individual human being, apart from the welter of his social relationships, is sitting on a volcano-range of creative energy, about which he knows almost nothing. This ignorance is purposeful. It enables him to fit into a small life defined by habits and shrunken subjects of interest and routine interactions. Within that space, he forms opinions and preferences and aversions. He says yes to this and no to that. He cultivates a passive tolerance for differences, as if he were auditioning for sainthood.

But whoever he is and wherever he is, underneath it all, something is waiting for him. A part of himself is waiting.

It is the part that can conceive of everything that isn’t, that never was. It is the part that dreams beyond the ordinary facades of time and space.

It is the part that refuses to believe habit and repetition and routine and systems are the core of life.

It is the part that knows something new and unprecedented and stunning can be invented at the drop of a hat, and that this is the unlimited territory of the individual.

It is the part off-handedly referred to as imagination, which over time has been sold away into oblivion. But which never dies.

The elites who try to control and define the common space of humanity would like to render imagination to the junk heap of history, never to be recalled. They would like to do this by replacing the individual with the group, which has no creative impulse, but is merely, with few exceptions, the lowest-common-denominator expression of any idea.

In Huxley’s Brave New World (1932), the overarching government slogan was: “Every one belongs to every one else.” One group, indivisible, with non-liberty and injustice for all.

Huxley’s slogan is now also the number-one elite propaganda message on Earth. It can be made to mean almost anything that derides and minimizes the individual and his repressed creative power.

In his 1954 short story, The Adjustment Team, Philip K Dick approaches the transformation of the individual into the group as an instantaneous, blanketing, mass-programming operation. Salesman Ed Fletcher, through an error, isn’t included in the “great change.” Instead, he witnesses it. Therefore, he is transported into the sky to meet the Old Man, the Chief, for a judgment:

Ed: “I get the picture…I was supposed to be changed like the others. But I guess something went wrong.”

Old Man: “Something went wrong. An error occurred. And now a serious problem exists. You have seen these things. You know a great deal. And you are not coordinated with the new configuration.”

The new configuration, at a deep level, is not new at all. It has existed since the dawn of history. It’s the self-fulfilling prophecy that, except for a few gifted ones, humans have no creative power, no wide-ranging imagination. Thus, they must surrender to the “shape of things as they are.”

Here is a statement about reality-creation that is crucial. —Philip K Dick, his 1978 speech, How To Build A Universe That Doesn’t Fall Apart Two Days Later:

“…today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms…And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

Philip Dick was talking about the elite invention of a synthetic common space for human activity. And on the other hand, he was talking about an individual’s invention, through imagination, of other spaces.

These other spaces aren’t mere fantasies. They’re as real as real can be—and they can be injected into the world, into the common space, to change it, and to wake people up from their group-think trance.

The bottom-line goal of all mind control is the removal of the individual’s knowledge that he has great creative power, that this capacity gives him enormous untapped energy, that it solves problems by rendering them irrelevant and defunct.

Suppose he brings back what he has lost? Suppose, finally, he takes a stand and refuses to see himself as a victim of circumstance?

Suppose he remembers that he holds the sword of his own imagination, and can invent reality?

Suppose he exercises that capacity and thus proves to himself how far-reaching his power is?

In his 1920 novel, A Voyage to Arcturus, which spawned generations of science fiction, David Lindsay writes: “To be a free man, one must have a universe of one’s own.”

This is no flippant observation. This is psychology light years beyond what Freud and his offspring concocted. This is the power of imagination, linked as it should be, to individual freedom. Nor was Lindsay recommending some closed-off fantasy existence. He was realizing that, with “a universe of one’s own,” the individual can then comprehend and participate in the common space we call the world—at a new level of unlocked and untangled power.

I dedicate my work to explaining these factors, and more importantly, providing many exercises that, when practiced, can reawaken and restore imagination as the unlimited dynamo it actually is. These exercise are contained in my mega-collections, Exit From The Matrix and Power Outside The Matrix.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

US government exposed: for 30 years, it broke the law on vaccine safety

by Jon Rappoport

July 16, 2018

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For 30 years, the US Department of Health and Human Services (HHS) broke the law regarding vaccine safety, and no one noticed or cared.

Then two men came along and discovered the scandal: Robert F Kennedy, Jr. (twitter), head of the World Mercury Project, and Del Bigtree (twitter 1, twitter 2, FB, web), the producer of the film Vaxxed. They filed papers in court, and they won their case.

Here is the issue in a nutshell: In 1986, a law, the National Childhood Vaccine Injury Act, was passed. It insanely excused vaccine makers from legal liability stemming from unsafe vaccines and the injuries they cause. Buried in the law was a provision ordering the US Department of Health and Human Services (HHS) to update Congress, every two years, on its efforts to improve vaccine safety.

Kennedy and Bigtree thought it would be very interesting to read these HHS reports—all 16 of them. So they filed a Freedom of Information Act request, and then…nothing. No replies.

Kennedy and Bigtree then went to court to obtain the information—and after wrangling and stonewalling, HHS admitted it has NO such reports in its archives.

IN OTHER WORDS, SINCE 1988, HHS HAS FAILED TO UPDATE CONGRESS ON ITS EFFORTS TO IMPROVE VACCINE SAFETY.

And the further implication is: there are no reports, because HHS has done nothing to improve vaccine safety in all these years.

The original 1986 law removed all liability from vaccine makers BECAUSE THERE WAS A PROBLEM, AND THAT PROBLEM WAS VACCINE SAFETY.

Congress protected billions of dollars that could never be sought in court from vaccine manufacturers. Those law suits, filed by parents of vaccine-injured children, would henceforth be illegal. That was the substance of the law.

So, did Congress recognize there was a serious vaccine safety problem? You bet your life they did, and to make it seem they cared, they charged HHS with doing something about it, and reporting to them (Congress) every two years.

WHICH NEVER HAPPENED.

And thanks to the efforts of Kennedy and Bigtree, all this is now exposed.

You can read the court judgement and relevant press release in this pdf document, here.

Again…

In 1986, vaccine makers went to the federal government and said they were going to get out of the vaccine business, because juries were awarding too much money in court, to parents of vaccine-injured children. The feds basically said, “We’ll ram through a law eliminating those law suits,” and they did. EVERYBODY AND HIS BROTHER KNEW VACCINE SAFETY WAS A MAJOR PROBLEM…

Including the US Department of Health and Human Services, which was tasked with doing something about it. Back in 1986.

And now it’s discovered there is no evidence they lifted a finger these last 32 years.

Instead, they’ve lurched forward, introducing more and more vaccines into the childhood schedule—and never running studies to gauge the toxic effects of the increased load.

To any person with open eyes, these are the actions of criminals pretending to be scientists.

If you want to glimpse the level of profound criminality, talk to the mother of a bright, happy, open child who incurred brain damage after a vaccination and checked out of this world.


power outside the matrix

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: imagination exercises for a new life

by Jon Rappoport

July 14, 2018

Some years ago, I gave a talk about certain imagination exercises I was developing. More than 50 of these exercises are now included in my mega-collection, Exit From the Matrix.

In my response to questions after the talk, this is what I said:

I’m talking about a new level of life here. Not for me. For you.

You know, you can create energy. But you need a way to demonstrate that to yourself. That’s one thing these exercises do. You don’t have to think about it. You’ll get that feedback from practicing the techniques.

Another thing: you want to invent a future for yourself that goes beyond what you’re doing now. You need to be able to imagine it, roll it around in your imagination, see it, feel it, and give it lots of fresh energy. Of course, work will be involved, but at the source you’re bringing that future into being. You’re creating it. The exercises help you in this regard. You feel and experience the power of your own imagination. It’s realer than real.

Doing the exercises gives you a center from which you project realities. This is a powerful first-hand lesson. Again, it’s something you experience. You gain a great deal of confidence from this.

Here are the full contents of Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Matrix Revealed: The collective experiment on planet Earth

by Jon Rappoport

July 13, 2018

When all obsessive group-consciousness on Earth is finished, exhausted, when it admits defeat, then a different era will emerge. But for now, we are in the middle of the collective experiment.

High-flying cloying sentiment, profound dependence on others, covert repression—these are the order of the day.

How long until the collective age is over? A hundred years? A thousand years? The answer is, as long as it takes for every human to realize that the experiment has failed, and why.

The why is clear—the individual has been overlooked. He has been demeaned. He has been grabbed up and drafted into groups. His creative power has been compromised in order to fit in.

The majority of the world still believes in this approach, as if from good groups will flow the ultimate and final solutions we have all been seeking.

This is sheer mind control, because good groups morph into evil, and vice versa, in the ongoing stage play called reality.

Ideals are twisted, infiltrators subvert plans, lessons are ignored, and the whole sorry mess repeats itself again.

What constituted a triumph of good over evil at one moment is guided into yet another collective, whose aims are “a better kind of control.”

The most deluded among us believe we are always on the cusp of a final breakthrough.

But there is no “we” to make the breakthrough.

It comes to every person on his own. And it does not arrive as the thrust of an external force, but from one’s own struggle, accompanied by insights for which there is no outside agency to lend confirmation.

If indeed it will take a thousand years to bring this collective illusion to a close, that is no cause for despondent reaction.

On the contrary, it is simply an understanding that all experiments come to an end, as does the method of thought on which they are based.

One or ten or a hundred collapses of civilization, and the resultant rebuilding, are not enough.

The pattern endures.

It can only dissolve when overwhelming numbers of individuals, each in his own way, absent self-deception, sees its bankruptcy.

The “we” and the “us” are merely postponements and cover stories splashed on the front pages of the mind.

Fighting for what is right, here and now, is vital. But it does not preclude the knowledge that, as long as people are fixated on groups as the Answer, the underlying problem will persist.

Therefore, as part of my research over the last several decades, I have explored what is now commonly called the Matrix, from the point of view of freeing the individual from it.

The first step is understanding Matrix as an ongoing perverse “work of art” and viewing the nuts and bolts of it.

That is the purpose of my first collection, The Matrix Revealed. You can order the collection here.


the matrix revealed


Here are the contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Also included:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

Understanding Matrix is also understanding your capacity and power, and that is the way to approach this subject. Because liberation is the goal. And liberation has no limit.

I invite you to a new exploration and a great adventure.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

What Globalists say; what they really mean

by Jon Rappoport

July 12, 2018

(To join our email list, click here.)

“[The] nation state as a fundamental unit of man’s organized life has ceased to be the principal creative force. International banks and multinational corporations are acting and planning in terms that are far in advance of the political concepts of the nation state.” (Zbigniew Brzezinski, 1969)

This famous quote from one of the world’s leading Globalists could have been written more truthfully. For example: “We must do everything we can to eliminate the reality of separate and individual countries. In this regard, breaking down borders with massive waves of immigration will go a long way.”

And what about Brzezinski’s remark that corporations and banks are acting in ways that are “far in advance” of the nation-state?

Perhaps this is what he means by advanced concepts: Corporations are empowered to set up factories in Third World hellholes, where they employ workers at starvation wages, with no environmental concerns or controls. That’s step one. Step two is exporting the goods made in those far-off places back to First World countries without paying tariff-penalties.

Yes, that’s what Brzezinski and other elite Globalists would call “enlightened economics.”

To call this free-market capitalism is a gross misnomer. The free market is pushed to the side. Basic capitalism, in which an entrepreneur builds a domestic business and sells his goods, has nothing to do with this kind of engineered international corporate expansion. The corporate Globalist state is a different animal altogether.

“I believe that if you go and ask a chief executive of a Goldman Sachs or a BP, and they answer you honestly … they want monopolies, they want government subsidies, they want preferences – they’re not interested in free markets.” (Ian Bremmer, The Daily Telegraph, 7/10/10)

Any doubt on the question of Globalist goals is answered by David Rockefeller himself, in his Memoirs (2003): “Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure—one world, if you will. If that is the charge, I stand guilty, and I am proud of it.”

Rockefeller’s phrase, “a more integrated global and economic structure,” vaguely suggests some kind of fairness, in which loser nations would be promoted into upper tiers of business relationships.

But no. “Integrated” actually means the world is made to fit the ambitions of global corporations—these behemoths can roam anywhere, set up shop, and produce their goods, without regard for smaller producers of the same goods, who suddenly find themselves edged out of the market.

“Integrated” also means “never having to pay tariffs.” Tariffs level the playing field. A level field is the last thing Globalists want.

In the current trade wrangle between China and the US, Globalists are essentially saying: “See, you’re upsetting the system. Now both China and the US will be laying on tariffs. It’s much better to eliminate tariffs altogether—which was the way we ran things until recently…”

No, the way things were being run allowed China to export far more goods to US than the US was exporting to China. That imbalance has been quite damaging to the US economy.

So, although Globalists ignore the concept of separate nations, and cheerily chirp about mega-corporations running “the worldwide economy,” in fact whole nations are hurt by this practice; some nations more than others.

This is no accident. In order for Globalist control of the planet to win out, the US has to be brought to heel. Dismantling the power of its economy has been a major operation, for decades.

Globalists say “integrated world economy.” They mean: “mega-corporations win a rigged game.”

Globalists say “advanced political concepts.” They mean: “no tariffs.”

Globalists say “nation states are outmoded.” They mean: “open all borders” and “control all markets from above, at the level of mega-corporations.”

Guess who the “disaffected youth” demanding open borders are unknowingly working for?

The richest people in the world.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


(New piece up at my OUTSIDE THE REALITY MACHINE blog entitled
“Sacred shapes and decimated minds”)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Theatrical dance: the fake news mainstream reporter and his audience

And the deeper implications behind it

by Jon Rappoport

July 11, 2018

(To join our email list, click here.)


May 2012

Q & A with Ellis Medavoy:

It’s rare, these days, for me to get messages from retired propaganda master, Ellis Medavoy. He’s always been a difficult man. Now, he’s even tougher to coax out of his cave.

Nevertheless, because I’m persistent, I interview Ellis 28 times (290 pages) in my new collection, THE MATRIX REVEALED. The quality of his information on the nuts and bolts of The Matrix is priceless.

Q (Jon): So the job of the propagandist is to make fiction look and feel like fact.

A (Ellis): Propagandists know who they’re feeding, and they know what morsel will be snapped up by these newspeople. They know how to shape the morsel and color it and flavor it so that it becomes a drug.

Q: The memories of these newspeople…

A: Are data banks. Their memories are all data all the time. The memories form their reality. INTERRUPTION of reality is the primary sin. It can’t be tolerated.

Q: What do you mean by interruption?

A: A place in the mind where a corrosive question or doubt is inserted about the nature or character of a fact. For the regular human, this can be dealt with, at least to some degree. For the newsman, this is like a hammer blowing time to pieces. The flow is interrupted. It would be like one of those old stock brokers, when he followed the second-to-second transmission of stock prices by looking at a narrow piece of paper tape. He’d hold the tape in his hands and read it as it came through, yards and yards of it. But suppose the tape came out of the machine blank for a few minutes. This is why some people can’t meditate. They’re instinctively afraid they might come upon a silent moment where thought stops.

Q: So to ask your own question back to you, where DO these newspeople come from?

A: They, at an early age, see power as the capacity to know “what’s going on.” They plug into that kind of power.

Q: It’s strange.

A: It’s superficial. It’s all about surface flow of information. They stick to the surface. What they’re looking at, what they’re fascinated by is a kind of theater. They’re looking at theater. I’ve known that for a long time. It was part of my job to know it, because then I could present stories that would get through to reporters in a form that would have that theatrical feel.

Q: The players know their roles.

A: The reporters know, their editors know, their reliable sources know, and people like me, who feed those reliable sources, are like directors. It’s hard to describe this, but there is a certain pulse and pace and feel to the way you should supply stories to sources or reporters or editors. You know when to go fast and when to go slow. You know how to plug into their sense of theater. Their need for theater.

Q: So the addiction of these newspeople has a theatrical dimension to it.

A: Have you ever seen a junkie operate? A great deal of his action and talk is theater. He presents theater and he wants theater back. The newsman confuses theater with facts. It’s all rolled up into a big space. I’ve sold stories to reporters based purely on the theatricality of my presentation. See, let me tell you something. When I talk to a reporter, I know I’m walking into a theater where the play is ALREADY underway. It never stops for a reporter. So I hit the ground running. I enter the scene mid-stream. I don’t think, “Now, I’m starting to pitch my lines, now the scene is beginning.” No. I’m intuiting and seeing where he [the reporter] is right now, in the middle of one of his scenes, so to speak, and I plug directly into that place, that moment. Do you understand? This is the subtlety of the art.

Q: You understand his psychology.

A: Yes, and I understand his flow. I read the signals. Oh, this is Death of a Salesman or Streetcar Named Desire, or Hamlet, and they just shoved me out on the stage, and I have to know how to match the emotions of the moment, where the scene has already been going on for five minutes. It sounds a little odd, but that’s how you play the game if you want to win. It could be a very quiet moment in the scene, and then I need to talk in a whisper. It could be the peak of the scene, where the emotions are running high, and I have to drive right in and be there for it, with my feelings turned on high, too.

Q: But behind that, you were doing something quite different.

A: Of course. I had my marching orders and my agenda.

Q: You know, it’s almost like you’re talking about frequencies.

A: I am. Propaganda runs on carrier waves. What are you using to transmit messages? What wave? I knew my targets: reporters and editors and their reliable sources. So I had to understand and tune into the frequencies they would accept. If you watch the best television news anchors, you see they’re adopting several tight emotional frequencies, and they use them to transmit, with their voices and demeanor, the news to the public. They use a nearly perfect imitation of several things: concern, objectivity, dignity, intelligence, with a bit of a rosy glow of sincerity and humanity. That’s the recipe.

Q: Imitation, you say.

A: Yes. They’re a cartoon. They create a cartoon persona. A very well crafted one. And the audience is a cartoon, too.

Q: Why is the audience a cartoon?

A: Because, underneath it all, they know they’re being conned. At some level, they realize it’s a show. So they pretend, and they do it well. They pretend they’re very involved.

Q: You can see that?

A: See it? I lived by it for many years. I staked my reputation on all of this, on everything I’m talking about here. It wasn’t just theory. I went into the trenches with my understanding, and I made it succeed.

Q: You’re talking about using your skills on people who report the news, who tell the public what’s going on.

A: As I just said, it’s all a cartoon. On both sides. Broadcasters and audience. You may not like it that I take a hard line on the audience, but too bad. The audience is faking it just as much as the newscasters. You have to admit there are levels to the mind.

Q: Meaning?

A: On one level, the audience appears to accept what the mainstream news is telling them. But on another level, as I’m saying for the third time, the audience knows it’s a fake. And why don’t they admit it? Why don’t they say, ‘I’m sitting here at night buying what I know is fake. I’m watching the screen and the anchor is giving me the news and I know it’s cooked.’ Why don’t people do that? Because they refuse to look at their own little drama of stimulation, in which they are titillated by what the newspeople are giving them. They don’t want that professionally produced titillation to go away.

Q: You may have heard of something called the Internet. It’s changing things.

A: Sounds vaguely familiar. Yes. The ground is splitting beneath the audience’s feet. I’m not a praying man, but I do something close to that every day, as regards The New York Times and NBC. I ask for them to go bankrupt. The Times is on the road to perdition and insolvency. If they go, it will make an interesting sound.

Q: Is your blood pressure okay? You’re a retired senior citizen.

A: I think I can hold my own.

Q: If you need to take a break, we can do that.

A: (laughs) Everybody needs to take his medicine.

Q: I can think of two or three meanings for that sentence.

A: See, I’m a little sick of people saying that the great unwashed masses of very fine people are being fooled and duped by the big bad controllers. It’s a mutual dance. I knew that thirty years ago. Everybody has to own up to his part in the cartoon, in the theatrical presentation. I know the difference between real victims and fake victims.

Q: What is that difference?

A: The real victims, in certain countries, are being taken out by massive corporations with their assisting government troops and all sorts of other support. The fake victims are sitting in front of television sets eating sugar and tuning right into the frequencies of the presentation of the news. They’re frequency addicts, and I’m very serious about that. This is exactly what they’re hooked on. Why do you think all this research on the brain is being done? To home in on the best frequencies for the insertion of information. That’s what we’re discussing here. But good newspeople already understand the frequency game. Intuitively. They understand it better than the brain researchers. And the audience needs that human face and voice to transmit the addicting frequencies to them. It isn’t just the old flicker rate of the TV or the frames per second or the illuminated screen. It’s the person delivering the news. He’s the prime force. He’s addicted to the frequencies he’s using! He’s addicted, too, and he’s transmitting and sharing his addiction with the audience.

Q: And what’s the cure for this addiction?

A: The world is resonating every day with what humans want. Here is what they want: they want to ingratiate themselves with each other. Ingratiation. Acceptance. Those are the frequencies. That’s the theme of the play. Those are the resonating frequencies. That’s how information is built and fabricated to invoke belief and faith. That’s the carrier wave, the resonance.

Q: When did you realize this?

A: When I was nine. But that’s a whole other story. Realizing it pushed me into the work I did. It also rescued me from continuing to do that work. I got out. You know what getting out means? It means I don’t any longer accept what I was doing, AND I refuse to accept the conditions that made it possible to do that work. I didn’t just get out part way. I got out all the way. I don’t buy the basic theme of the play or the ingratiating resonance anymore. I offloaded the whole thing. You know what? Tomorrow, if I wanted to, I could start a new religion. And it wouldn’t really involve any of the factual deceptions I used to use in my work. I could start a non-denominational religion based, say, entirely on charity. That’s all. And it would look like a very good thing. But I WOULD be using my ability to put out my messages on frequencies and resonances that would attract people. See? That’s how I’d build my audience. And I won’t do that. I know how to do it very, very well, but I won’t do that. That’s what getting out all the way means.

Q: You know—

A: I know a few solid truths. You can get people to sleepwalk from “bad things” to “good things” and they’re still sleepwalking. And that’s the real problem. That’s one element of The Matrix.

Q: Scientists tend to believe in operant conditioning. They believe people think and act according to one type of operant conditioning or another, and there are no other choices.

A: That’s right. That’s the problem.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.