The American destiny

The creative force at the dawn of a new future

by Jon Rappoport

January 11, 2019

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Whenever a breakthrough occurs for the individual, there is a stepping back, a retrenching, a delay, an attempt to reset the clock and push the breakthrough away. This delay tactic can last a week, a month, or, historically, a hundred years.

We are in the middle of such a delay, after serial revelations that erupted in the latter part of the 19th century.

Individual artists (and a few philosophers) became aware that: imagination gives birth to ideas that in turn shape personal reality.

Therefore, reality is very elastic and changeable.

America—and indeed, the world—stood on the brink of a great internal revolution.

The creative IS the spiritual.

America’s love affair with the idea of individuals reinventing themselves was about more than immigrants “becoming American.” It was about imagination as the core of transforming self and future.

Such a radical realization was too much for many people to absorb, so a backing away occurred. The wave was stilled for a hundred years or so—but now it is beginning to move again.

The attempt to take over America, by Globalist forces, on a behalf of a controlled world order, is really an attempt to quell the individual creative force. That is the secret inside the master plan. And that Globalist effort is in trouble. More and more people are realizing it is a massive fraud based on instituting an imprisoned Collectivist Hive Mind.

Whereas the promise of America was always the intensely creative individual. And what does he do? He takes frozen realities and injects life into them so they move and shed their encrusted energies.

He rejects all formulas that instruct people about how they must live their lives and guard their words and fit in.

On a spiritual level, America was and is about transformation of energy into greater living shapes and forms and flows, through imagination.

It is about building a new and higher “plane of experience,” so to speak.

The fact that this aim has been sidelined and throttled to a significant degree doesn’t change one iota of America’s destiny. It’s still there, and the individual is the core.

He is the shaper.

Yes, you could say “America was made” for many criminal undertakings, but the other side of the coin is the most powerful: America is the house of the individual soul and that soul is creative.

That soul is an artist of reality.

Dawn of a new day.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Tibet, Kabbalah, creation, destruction, tofu dog to go

by Jon Rappoport

January 4, 2019

I’m not going to expose some hidden code. I’m not going to tear apart chunks of text and show you what’s behind the veil. That’s a misdirection.

You can find codes in War and Peace if you want to, or in labels that list all the ingredients in the weird junk kids buy at AM-PM stores on gas-station property.

Ready?

Here it is.

The Kabbalah is about…

The Kabbalah.

That’s the secret. That’s the real impetus behind it. That’s the driving force. That’s the headwind and the tailwind and the engine and the fuel.

That’s what it was always about.

Of course, most contributors to it never realized that. They were caught in the net of the themes, the threads, the topics, the arguments, the logic, the exegesis.

Think about it. If you’re going to write thousands of pages of something, and many people are going to author it together, for centuries, you need a broad compelling subject to bring them into the act. You want that net.

So the stated theme, the net that dragged in authors, was HOW DOES MAN APPROACH GOD. That was floated, and then authors were happy and they could write reams on that subject, and they did. They were motivated. They could bring a lot to the table.

The Kabbalah is about the Kabbalah, though, because the top men who started it had a closeted idea. It was what you’d call a meta-idea. They didn’t want to bring that idea out into the light, because if they had, everyone would have frowned and gone home before the text ever got off the ground. Everyone would have said, “Aw, that’s ridiculous! How can we take off on that? It’s too stark. It’s too simple. It’s too wide. It’s too permissive.”

These top few men who started the Kabbalah, as I said, had a secret meta-idea. Not the stated theme. Their secret idea was: YOU APPROACH GOD (or Ultimate), YOU GET CLOSER THROUGH…PROLIFERATION.

Proliferation of what?

Creation.

Human creation.

Creation, in particular, of more language, more poetry, more philosophy, more knowledge, more science, more learning…but most of all, through more language, new invented poetic metaphorical suggestive language.

If they could get many authors to jump in and write about the stated (not the real) theme, they would, in fact, over time, get more proliferation of language, more poetry. Yes. You see?

And that’s what happened.

It was a rather sensational strategy:

State a theme that will bring in many authors, who will then write for centuries, developing extensions of language as they do so…these authors will focus on how to approach The Ultimate—that will be their stated subject—but ACTUALLY, they will be carrying out (unconsciously) the real mission by proliferating language and poetry…because you can’t get close to Ultimate without making language stretch into metaphor…you can’t use mechanical language to move beyond a certain point down the road…

There is another reason why this is an interesting strategy. To move humanity (if it will ever be moved) into a truly new and much wider state of consciousness, you need art. But not just a piece here or a piece there, A FLOOD.

You need a flood (a vast proliferation) of art in all directions, so that the reality we accept as solid and restrictive and final (Smart and Final) becomes the loosely woven fabric it actually IS. With gaping holes. So what then comes to the fore is the creation of many many artists acting on their own. Millions and millions and millions of artists inventing new and powerful realities.

You NEVER need reduction and narrowing and bowing and scraping before the pillars of consensus reality. That’s a hoax. You NEVER need that. You need endless proliferation.

But you see, in modern times, there is a great emphasis on precision and tight asses. That’s the case. So there is a tendency to reduce and reduce and distill and forget that the royal highway is proliferation.

To remind one’s self of the real and greater energy, you might return to Walt Whitman and Melville and Dostoevsky and Henry Miller and Goya and early Stravinsky and Lenny Bruce and so on…

Really, the force behind Kabbalah wasn’t about walking up to the door and knocking on it and shaking hands with MR. ULTIMATE, it was about the thunderous expansion of metaphor, which is poetry, which is what meaning is when meaning shrugs off its shell of sheer literal mimicry of the physical world.

RISE OF THE EMPIRE OF IMAGINATION

The invention of worlds.

Entering into realms that had previously been hidden to you. The shapes of your experience widening and deepening.

Isn’t this, in fact, what people hope to gain from the study of arcane metaphysics and cosmology and “ancient mysteries?”

Except in this case, there is no external guide that directs your consciousness down specified roads and paths defined by “the wise ones.” All that baggage is gone. Gone, too, are the pretended principles of WHAT ULTIMATELY EXISTS.

The arrival of sweeping “earth changes,” the landing of visitors from space or other dimensions, gods, holy scriptures, channeled information, sacred geometry, cosmologies erected by priests and secret societies…all the objects and entities which people tend to treat as authorities and “permission-givers” and game-changers and wisdom sources…all those things no longer carry their former weight and gravitas…

Instead of sensing that some revelation is at hand, you’re inventing your own revelations, by the truckload.

You’re not crouched inside some space hoping for the arrow of truth to arrive, you’re outside that space inventing new universes.

You’re not waiting for The Big Green Light in the Sky to confirm what you’ve been led to believe is ultimate truth…you’re free.

In other words, you’re an artist.

TIBET

There’s a local church in my neighborhood that brings in Tibetan monks once a year to do a sand painting.

For a few days, the Monks use colored sands to create a very complex mandala on a table.

Then at the Easter service, the monks destroy the mandala. They always do that. That’s their gig. They make it over the course of a few days and then they whisk it away into dust.

An array of reasons is given to the congregation, to explain why the monks get rid of the sand painting after they’ve completed it.

One, they’re “transmuting” the painting. Two, they’re using the sand to create “healing.” Three, giving people small envelopes of sand, they’re “spreading the healing/creation.” Four, they’re illustrating the ineffable or transient nature of all things.

These are all New Age reasons. Superficial jive food for a modern entrained audience.

In the ancient Tibetan tradition, the creation of art (I’m boiling it down) had a purpose: to reveal that the universe is a product of mind. Period.

The universe, then, isn’t some final sacred entity, it’s a work of art…and if it can be vividly and deeply perceived as such, the adept (artist) can then spontaneously delete pieces of physical reality and/or insert pieces of his own invented reality into universe.

To really qualify as an adept/artist who understands all this, you also have to able to destroy (as in DESTROY) what you create. Not disperse it or turn it into some healing force or blow magic dust on a crowd with it. No.

A long time ago, the Tibetans clogged up their own technique of creative work with immense amounts of ceremonial baggage and ritual and “preparation.” You couldn’t go straight into practicing their creative techniques. You had to approach it from a long way off, and you had to endure all sorts of introductory strain before you walked through the door.

Then on top of that, coming into modern times, further New Age fluff was added to the mix, resulting in a ludicrous mess.

Hey, man, give me some of that magic dust!”

Anyway, you see, DESTROYING isn’t a word you want to use nakedly, in polite company, to describe what’s happening to those sand paintings. It’s too stark for people. It’s too real. It’s too profound.

Destroying what you create means a few things: you know you can always create more; you have that bedrock confidence; you aren’t afraid that if you destroy what you created, you’ll suddenly find yourself in a great big vacuum; you’re perfectly willing to stop creating; you aren’t residing in some whimpering spaghetti of ideas and feelings about creation and destruction; you aren’t conning yourself with all that garbage; you aren’t totally relying on what you’ve created to feed back messages to you about what you should do in your life.

And destroying what you created also means you can enter into what the Tibetans call the Void, which, when you strip it of all superfluous nonsense, really is the place where you’re not creating anything.

And then you can start creating again.

Yes, the ancient Tibetans—before they obscured their own cosmic kick-ass philosophy—the most profound of Earth-bred cosmologies—were on to something. They weren’t messing around.

They were way ahead of the baloney modern so-called gurus have been cutting and turning out.

The monk sand painters at the local church on Sunday? I have no idea whether they know and remember all this. But they are a vague reminder of that wildness.

Whether anyone knows or cares, that’s what the sand painting and destruction are about.

It doesn’t need an audience at all. The audience is supposed to be doing the painting and the destroying, too.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

If you were Chief of CIA Consciousness Ops

by Jon Rappoport

December 26, 2018

There is an obsession to say that everything is made out of something.

Who knows where it started? With the Egyptian pyramid builders? The Sumerians?

In the modern era, the fervor has reached a high point.

Physicists, biologists, and chemists are relentless in their pursuit of consciousness as a function of the brain. It has to be the brain. All those synapses and neurons and chemicals…and underneath them, the atoms and the sub-atomic particles…somehow these tiny particles conspire to produce consciousness and awareness.

Yet these same scientists deny that a sub-atomic particle carries any trace of awareness. The particles flow. They obey laws. That’s all.

So the experts are painted into a corner. They then speculate: “Well, you see, the increased ability to process information, the complexity of structure—naturally, this implies consciousness.”

No it doesn’t.

A Ferrari is complex. So is the Empire State Building. So is the IBM’s best computer. And? Where is the consciousness?

You, sitting there right now, reading these words—you understand the words; you KNOW you’re reading them; you’re not just processing information. YOU ARE CONSCIOUS.

If a physicist wants to say that you, knowing you’re reading, are just a phenomenon of atoms in motion, let him try, let him explain. Let him do more than bloviate.

Imagine you were the chief of a CIA section called Consciousness Covert Ops. What would you try to do, given that your motive, as always, is control?

You would try to convince the population that consciousness isn’t free and wide-ranging and powerful and independent. You would try to narrow the popular belief about consciousness.

What better way than to focus on the brain as the seat of all awareness?

“The brain functions according to laws. We’re discovering more and more about those laws. We can determine when the brain is malfunctioning. We’re learning how to correct those malfunctions.”

Indeed.

You’re spinning narrative about the brain as if it were a car that has to visit the shop. That’s what you want. You want to make people believe their brains need fixes, because, after all, you come out of the long tradition of CIA MKULTRA mind control.

When the brain comes into the shop, you can try to reprogram it. You can experiment. You can apply the latest technology. You can attempt to insert controls. You can place monitors in the brain, in order to observe it in real time.

At a more basic, yes, philosophic level, you want to eliminate any sort of movement claiming that consciousness is separate from the brain. You want to snuff that idea out. It’s counter-productive, to say the least. It could give rise to a renaissance of an old outmoded notion called: freedom.

What could be more free, more independent, more unique, more creative than individual consciousness that has a non-material basis?

You want to do everything you can to equate consciousness with the brain and, thus, the modern idea of the computer. Yes, the computer. Perfect.

“Consciousness is a computer operating at a very high level.”

“All computers can be improved.”

“All computers can malfunction. They can be repaired.”

And then, the ultimate coup:

“Consciousness? A very old idea that, in light of the progress of technology, has no merit. It’s really information processing. The brain handles that. The brain is a computer. We’re learning how to build a better brain…”

You’re shifting the focus of the old 1950s MKULTRA program, which mainly involved drugs and hypnosis, to a new arena. You’re coming at the territory inside the skull from a number of angles. You’re the next generation of Brave New World.

And right across town, the Pentagon and its research branch, DARPA, is deeply involved in a number of allied research projects. For example, the cortical modem, a little piece of equipment that costs about $10.

The gist? Insert proteins into neurons, and then beam photons into those proteins, thus creating image displays that bypass the normal channels of perception.

Virtual reality with no headset. The project is still in its early stages, but the direction is clear: give the “user” an image display beyond his ability to choose.

It’s touted as an overlay. The person, walking down the street, can still see the street, but he can also see what you give him, what you insert into his visual cortex. Of course, as the technology advances, you could take things further: block out physical reality and immerse the person in the virtual.

DARPA’s enthusiasm about this project, as usual, exceeds its current grasp, but its determination to succeed is quite genuine. And the money is there.


Think about this. Which way is a bright college student going to go? He can study ancient philosophy, in the least popular department on campus. He can read the Vedanta, and plow through its explications of consciousness. Or he can study biology and physics, and then try to land an entry job with the Pentagon, where he can fiddle with the human brain for fun and profit. This student has been thoroughly immersed in computers since he could crawl. He understands what they do and how they work. He’s been taught, over and over, that the human brain (consciousness) is a computer. So what path will he take?

Over and above everything I’m pointing out in this article, there is a human capacity called imagination. It’s the wild card in the deck. It’s the greatest wild card ever known. It is, in fact, the cutting edge of consciousness. It invents new realities. It releases gigantic amounts of buried energy. And it’s entirely an individual proposition.

I built my second collection, Exit From The Matrix, on that basis: the liberation and expansion of imagination. Not just in theory, but in practice. There are dozens of imagination techniques to work with.

Brain=computer=consciousness is the greatest covert op on the planet. It’s supported with major money and labs and journals and armies of psychiatrists and neurological professionals and physicists and the military.

And the op is completely false, because, again, the very scientists who push it are saying the brain is composed of sub-atomic particles THAT CONTAIN ZERO CONSCIOUSNESS.

Think about that.

They’re saying consciousness arises out of particles that have no consciousness.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

The individual vs. group mind control

by Jon Rappoport

December 24, 2018

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“The individual sees how a machine is put together. He sees the pieces and the systems. Because he is creative, he doesn’t stop there. He doesn’t automatically believe in the machine and accept it as the final THING. He can invent a better machine—or no machine at all. He has the latent power to go outside the machine and invent in a different way. He can CREATE HIS OWN WORLD. It isn’t a bubble that separates him from the commonly shared world. It is inserted into the common world. It is built on different ideas. He is alive, his creative force is alive, and so what he builds will be alive, too. This is a kind of natural magic. A magic that is inherent in him. It surpasses the ordinary strictures of society. Am I talking about imagination? Absolutely. This is where it starts. This is where the new path originates. This is the dream and the vision. In my collection, Exit From The Matrix, I include a large set of imagination exercises that are designed to liberate that far-reaching quality of the individual. Does the quality have a limit? No. It isn’t a machine or a robot or a computer. It isn’t programmed. And that’s the whole point. The limitless nature of imagination wakes up the individual. He wakes up to infinity.” (Notes on Exit From The Matrix, Jon Rappoport)

Trumpets blare. In the night sky, spotlights roam. A great confusion of smoke and dust and fog, and emerging banners, carries the single message:

WE.

The great meltdown of all consciousness into a glob of utopian simplicity…

There are denizens among us.

They present themselves as the Normals.

Beyond all political objectives, there is a simple fact: those group-mind addicts who have given up their souls will rage against the faintest appearance of one who tries to keep his. And in this rage, the soulless ones will try to pull the other down to where they live.

And somehow, it all looks normal and proper and rational.

In the 1950s, before television had numbed minds and turned them into jelly, there was a growing sense of: the Individual versus the Corporate State.

Something needed to be done. People were fitting into slots. They were surrendering their lives in increasing numbers. They were carving away their own idiosyncrasies and their independent ideas.

But television, under the control of psyops experts, became, as the 1950s droned on, the facile barrel of a weapon:

“What’s important is the group. Conform. Give in. Bathe in the great belonging…”

Recognize that every message television imparts is a proxy, a fabrication, a simulacrum, an imitation of life one step removed.

When this medium also broadcasts words and images of belonging and the need to belong, it’s engaged in revolutionary social engineering.

Whether it’s the happy-happy suburban-lawn family in an ad for the wonders of a toxic pesticide, or the mob family going to the mattresses to fend off a rival, it’s fantasy time in the land of mind control.

Television has carried its mission forward. The consciousness of the Individual versus the State has turned into: love the State. Love the State as family.

In the only study I have been able to find, Wictionary partially surveys the scripts of all television shows from the year 2006, to analyze the words most frequently broadcast to viewers in America.

Out of 29,713,800 words, including the massively used “a,” “an,” “the,” “you,” “me,” and the like, the word “home” ranks 179 from the top. “Mom” is 218. “Together” is 222. “Family” is 250.

This usage reflects an unending psyop.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

“When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “You fight for the guy next to you.” “Our department is like a family.” “Here at Corporation X, we’re a family.”

The committee, the group, the company, the sector, the planet.

The goal? Submerge the individual.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

The soap opera is the apotheosis of television. The long-running characters in Anytown are irreversibly enmeshed in one another’s lives. There’s no escape. There is only mind-numbing meddling.

“I’m just trying to help you realize we all love you (in chains).”

“Your father, rest his soul, would never have wanted you to do this to yourself…”

“How dare you set yourself apart from us. Who do you think you are?”

For some people, the collective “WE” has a fragrant scent—until they get down in the trenches with it. There they discover odd odors and postures and mutations. There they discover self-distorted creatures scurrying around celebrating their twistedness.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Hypnotic perceptions, which are the glue that holds the territory together, begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?

And then perhaps one person in the cave suddenly says: I EXIST.

That starts a cacophony of howling.

In the aftermath of the 1963 assassination of JFK and the 1995 bombing of the Federal Building in Oklahoma City, the covert theme was the same: a lone individual did this.

A lone individual, detached from the group, did this. “Lone individuals are people who left the fold. They wandered from the communal hearth. Therefore, they inevitably became killers.”

In 1995, after the Oklahoma City Bombing, President Bill Clinton made a speech to the nation. He rescued his presidency by essentially saying, “Come home to the government. We will protect you and save you.”

He framed the crime in those terms. The individual versus the collective.

The history of human struggle on this planet is about the individual emerging FROM the group, from the tribe, from the clan. The history of struggle is not about the individual surrendering and going back INTO group identity.

Going back is the psyop.

The intended psyop.

As the trumpets blare in the night sky, as the fog-ridden spotlights roam, as the banners emerge carrying the single message, WE, as people below are magnetically drawn to this show, a unpredicted thing happens:

Someone shouts: WHAT IS WE?

Other pick up the shout.

And the banners begin to catch fire and melt. They drip steel and wax and the false grinding of hypnotic dreams breaks its rhythm.

The whole sky-scene stutters like a great weapon losing its capacity to contain heat. The sky itself drips and caves inward and collapses, and the trumpets tail off and there is a new fresh silence.

The delusion, in pieces, is drifting away…

The cover: gone.

Behind it is The Individual.

What will he do now?

Will he seek to find his inherent power, the power he cast aside in his eagerness to join the collective?

Will he?

Or will he search for another staged melodrama designed to absorb him in an all-embracing WE?

Will he understand he has the power to create a new far-reaching reality of his own choosing, or will he, once again, submit to the idea that reality must be concocted by the Group?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: Getting in the creative flow

by Jon Rappoport

November 2, 2018

“Life as it’s usually lived features a movie in which the mind operates like an ox pulling along a huge cart full of conflicts…” (The Magician Awakes, Jon Rappoport)

—One of my main purposes has been developing exercises that induce FLOW, a condition that is both internal and external. It happens in the body, in the mind and in the world.

—When you’re in the FLOW, your creative impulse is heightened, and your response to events and people is more direct and natural. Problems tend to melt.

Over time, my imagination exercises in Exit From The Matrix can help achieve more FLOW.

In general, as I put together my collections, I wanted to provide a PhD experience where none existed—knowledge AN INDIVIDUAL could deploy to ascend to greater heights in his life. Greater heights of creativity and power…

To invent the future he truly wants.

That is always my goal.

My 3 Matrix collectionsThe Matrix Revealed, Exit From The Matrix, Power Outside The Matrix—are not a brush-off. They’re meant to be studied and worked with over a long period of time. With many payoffs along the way.

My original inspiration was the ancient Tibetan practitioners, who existed long before the priest class moved in and tried to codify society and spiritual experience. The original magicians were working with raw Space and Time, doing exercises which demonstrated that these two basic qualities of the Universe were malleable and elastic. The Subjective and Objective levels of living were actually One Whole.

And in that Whole the FLOW was pre-eminent and even ecstatic.

Among their Tibetan realizations: a piece of work, an enterprise, and even a civilization could be built on an anticipatory sense of WHAT COMES NEXT. And with their imagination techniques under their belt, some of these magicians knew what came next. They were in that FLOW.

What I’m talking about here connects Zen, Tao, and other ancient practices that also ignore or give short shrift to creative force. When one is in the FLOW, he feels what is coming next, but at the same time he chooses what to create next. This paradox resolves by itself. He creates what he wants to, and he does it in such a way that it INSERTS into existing situations and realities, despite it being brand new.

FLOW. Creative flow. For the individual, this is a new world.

It replaces the world elites design for us, in which we fit in without the experience of FLOW…

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

What if television news disappeared and we invented ourselves?

by Jon Rappoport

October 29, 2018

(To join our email list, click here.)

The desperate networks are grasping at straws. Their ratings reflect a continuing audience exodus.

I once wrote that, if tomorrow the top news anchors admitted they were drag queens, the whole country would immediately collapse. That’s how fragile America actually is.

I’ve updated that comment, because the USA is now so tolerant the top anchors could come out as collies or toasters and everyone would feel compelled to consider the revelation with warm regard.

So here is the new formulation: If tomorrow, television news disappeared completely, the human mind would lose its mirror and chaos would ensue.

The minds of most viewers lack context, are satisfied with cartoons of reality, yearn for authorities, and will accept any version of “being informed.”

This is what the news is all about. The superficial mind clings to the news as a representation of what the mind is.

Take away that mirror and millions of people would enter a highly disturbing void, an absence, a vacuum.

It would be quite interesting.

Some people would realize the degree to which they demand to be told what to think, what to see, what to assume. Others would simply spin into a deep confusion.

At bottom, most minds want to know what exists, even if the portrait is a total lie. A lie is better than nothing. “Give me something, anything.”

That morbid desire is in direct proportion to the absence of any ambition to create reality on one’s own.

Every psyop since the dawn of time is based on, and works because of, the individual’s refusal to create his own reality.

This refusal is, in turn, the cornerstone of highly organized, layered, hierarchical, top-down societies.

These societies generate majestic deceptions, enemies, wars, and huge disparities between the haves and the have-nots. History reveals many elements of progress, but it doesn’t show a solution to these chronic injustices.

To put it another way, the solutions will not appear, in the long run, until millions of people do, in fact, create their own realities.

And that capacity to create requires a revolution at the deepest possible level.

Most people don’t even understand what it means, and/or won’t admit it’s possible.

They would rather rearrange deck chairs on a sinking ship:

“Give me THESE liars as leaders (creators of mass reality), and if you won’t do that, give me THOSE liars as leaders…”

“Ladies and gentlemen, this is the end of the last newscast anywhere. Good night and good luck.” Blackout.

If government’s media mouthpiece were gone, people would be forced to make up their own minds about government (or, in the age of President Trump, one could say, people would be forced to make up their own minds about the deep-state, non-patriotic, sell-out, operatives within government). And eventually, they would. And it wouldn’t be a happy moment, for government (deep-state operatives).

Unsurprisingly, the first “newspapers,” in ancient China, Egypt, and Rome, were government-issued bulletins. They were decrees, commands, and announcements.

They were deployed to control citizens’ actions and paint an official picture of reality.

At some point, leaders recognized that, with the expansion of individual freedom, more subtle methods for control and “guided perception” were necessary. Hence, modern media.

For this to work, reporters had to be elevated to privileged status. They were now town criers dressed to kill.

“Owing to excessive propaganda, lies, and style masquerading as substance, all news is canceled.” That would be a kind of forced declaration of independence.


In 1982, when I began writing for LA Weekly, I sat down with the editor, who explained that investigative reporting was a dying function of the news, because it was too expensive. Its outcome was always uncertain—a newspaper could assign a reporter to a story and pay him for a few months, and at the end of it he might or might not come up with something explosive.

There was, of course, another reason for squelching investigative reporting. A reporter might dig too deep and find too much gold. The wrong people (actual high-level criminals) could be indicted and exposed.

For the most part, mainstream news has canceled real investigation. It’s gone. It exists as limited hangout, meaning it’s constructed to execute partial and ultimately harmless exposure of crimes. The limited hangout pretends to be the last word, and everybody packs up and goes home, thinking the job is done.

Which is exactly the way most minds operate, when it comes to the truth. They poke around a little, come up with a bit of “deep” material, and check out. Nothing more to see, move along.

Any reporter who goes too far with a story is stopped by his bosses and reassigned to lighter topics. I know of one such hound, who broke open several heavy scandals and was then pulled off to do other work. Allowed to continue his investigations, he would have torn apart the Dept. of Justice and the CDC.

All of mainstream news is a limited hangout, because it purports to be coverage of reality. Actually, it invents reality by establishing narrow context, selecting which stories are important, and twisting their meaning.


So my original question, what if television news disappeared, is in a way a moot point. It’s already disappeared. It never was. It was always a simulacrum.

The Matrix can be viewed as the simulacra the mind invents to stand in for reality. This obsession for what psyops specialists used to call stereotypes is the putty-like target for engineers of deception:

“People already want false images. We merely make sure they buy our false images.”

Coming out of World War 2, US psychological warfare operators turned their attention to new conditions of “peace.” They fed the population images and simulacra of distant peoples and places and cultures.

The premise was: there are billions of people Americans will never meet or come to know. We, the princes of psyops, have to give them pictures of who these foreign humans are, to align with US foreign policy (empire building).

Now, the psyop operators’ target has expanded to a significant degree. The premise reads: there are billions and trillions of bits of information people will never be able to evaluate or organize. We have to tell them what all this information means. We have to shrink it down and frame it and paint shorthand pictures of it. Our pictures, not theirs.

Hence, the news.

Notice the basic fixation in all this madness. It’s the fixation on deciding what reality is, rather than what new realities can be created.

That is the threshold most people refuse to cross or understand. They’ll do anything to avoid it. And when I say most people, I don’t mean groups, I mean individuals.


Here is the real news: People’s problems and confusions and anxieties will never be resolved until they invent realities they truly desire with power and imagination.

I’m talking about inventing social reality and political reality and personal reality and aesthetic reality. This is no cotton-candy prescription. It calls for the deepest conviction and commitment.

When, in the 1960s, various Asian philosophies and spiritual systems were twisted and reduced and re-cooked and distorted, for importation into the West, one of the underlying themes was: enlightenment comes by accepting What Is.

That was a psyop of major proportions, on the level of consciousness and spirit. It was aimed at the closing the door on the oceanic creative impulse.

Accept What Is. Don’t try to change it. Surrender. Stop struggling. Then all your problems will disappear.

False.

The ability to accept reality ultimately and paradoxically depends on surpassing it by inventing new realities in profusion. Then, you can look at What Is and accept it as a fact that, like all other facts, can be radically changed.

Peace attained through a struggle to “let go of everything” is a deception. It’s one piece of a much larger story. That story centers on us and our creative force, the titanic and submerged faculty that always was and always will exist, no matter how many ploys are engaged to reject it.

The news doesn’t cover this story

The news is a drug to put this story to sleep.

The news is a voice expressing itself. But what about the far more important voice of the individual? What is it expressing, if consciousness itself is buttoned up?

I can tell you this. 100 percent of individuals have no idea what they would express if they opened up all creative channels. Oh, they might know what their opening shots would be. But beyond that? They don’t know. They couldn’t know. Because they haven’t invented the full range of their voices.

You could sit down and write a thousand pages to “express what you really want to say,” and you would only be scratching the surface. You would only be warming up your engine.

The mind is trained for delivering summaries and bytes. After throwing off that colossal inhibition, you’re at the beginning of the road. Just the beginning.

The news and all its allied support systems are a reflection of the mind held in check, the imagination held in check. As such they are really meaningless.

We have no clue about what a civilization would be, if many individuals entered the untapped universes of what amounts to endless expression. We live in a shorthand world. We convince ourselves that’s all there is.

That isn’t all there is. It’s just one atom of potential experience.

As far as individual creation is concerned, we live in a world that’s a kindergarten. It’s a nursery school. When people are asked to invent something, to express something, they look for the short form. The brief statement (like the news).

Write a thousand pages and see where you are. Paint a thousand paintings and see where you are. Reinvent your business a hundred times and see where you are. Reinvent your group that seeks to fulfill a social cause a hundred times and see where you are. Become an endless artist of expression and invention and see where you are.

Now we are getting down to the real crime of the news. It looks for the lead paragraph and the bottom line. It searches for the wrap-up and the stinger. It short-circuits the potential of the individual mind because the mind wants to be short-circuited.

And within this prison, people look for answers. It’s a joke. There are no answers there.

We are operating at one tiny end of the light spectrum, claiming that the whole remaining arc of possible light is invisible. Yes, it’s invisible because we shut ourselves off from it, because we fail to realize it becomes visible only when we live through and by imagination.


The myth of Prometheus is really an expression of self-limited creative consciousness seeking to break out and invent realities and worlds without end. The fire Prometheus stole from the gods wasn’t merely “knowledge” or “technology.” It was the infinite creative force.

There was no crime. The gods were already bored to death with their own powers. They had abandoned imagination. They had become tyrannical managers of humans. The gods were pathetic paupers living on borrowed time.

And when Prometheus delivered fire to humans, he wasn’t punished by the gods. He wasn’t chained to a rock and tortured. He was astonished by humans’ refusal to pick up the torch.

The Olympian gods were the News. They were the purveyors of What Is. They demanded allegiance.

The people chose to listen to the news from above. They chose to abdicate the endless road of expression and creation and instead worship an external narration of existence, a tired and bloated and worn-out and stench-ridden song emitted from Broadcast Central.


Imagine this:

Rachel Maddow of MSNBC News, appears on screen and says, “Tonight I begin to tell you a story. The story of myself. But not the narrow history. Not just where I was born and what happened to me. Yes, there will be some of that. But my story, like yours, is largely unknown, because I haven’t launched it yet. It isn’t only memory or fact. It’s a fuller and deeper expression, and it’s also an invention. Every night, for a thousand and one nights, I’ll be here on television unspooling and imagining myself. There will be many starts and stops. There will be moments of confusion, and there will be times when I don’t know where to go. But I’ll continue, because I want to, because I’m the artist of myself. As I talk, you’ll see parts of myself disappear and new parts surface. No doubt there will be long periods when I speak impersonally, and then a new intimacy will arise. It will loom up, vanish, and I’ll move into other realms. There is no wrong way to go. This is an Everything, an everything that expands and shrinks and submerges and ends and begins and swells and explodes and starts again from nowhere. This is an adventure. The goal is not a specific thing. The goal is not the truth. The truth is an illusion we concoct to sum up the adventure and give it structure, but this story will be about far more than the truth. It occurs to me that the news is our way of avoiding the ocean of our being, and that ocean contains logic and illogic, myth and also what could never happen but does happen. We perceive certain immovable and credible boundaries that we actually throw up to cover ourselves, to eliminate great cores of energy, to pretend we exist in one centralized space and time. I will tell this story in as many dimensions as I can…”

As improbable as it seems, if such an event took over the news, night after night, for years and years, the so-called vital events of our time, as usually reported by the news, would pale in importance, and something else would take over.

Something we sense but do not express. Something that will revolutionize our lives. We will remember we once knew the endless telling of the endless story, we knew it was the projection of both dream and reality that could and would change, not just the world, but how the world is built…taking it out into uncharted islands, snapping the chains we forged to keep us in a minor tale, always waiting for a romantic moment of liberation to come, forgetting what we need to do to change the sameness of the music:

Tell the endless story without limits.

Ordinary self, extraordinary self, both fuel for the fire.

Here is a quote from a work-in-progress, The Magician Awakes:

“There is a thing called Endless Story. It has no walls, floor or ceiling. It reflects how consciousness actually operates, once the programming is cast aside. Endless Story isn’t a cultural artifact. It cuts across all cultural lines. It is pure invention. Nothing that has already happened is sacred…Imagination finds its energy. All common and inhibiting symmetries are cast into the creative fire. Exploration and discovery are redefined. They no longer depend on what already has been laid down as Pattern. Symbols no longer have conventional meanings. Endless Story is the answer to the old alchemical mystery called Quintessence, or Philosopher’s Stone, which was supposed to be the key to transformation of unresolvable conflicts. Endless story overtakes and overrides ‘things as they are.’ Beginning, middle, and end, the cherished components of traditional story, fly out the window into a new dawn, a new day, a new night…”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Patrons of Imagination

by Jon Rappoport

October 3, 2018

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Every significant breakthrough in human history has been enabled through imagination. It’s the leap. It’s the vision unfettered by imposed restrictions.

It’s the future as yet unrealized, glimpsed in the mind.

Given that this is the case, one wonders why financial patronage isn’t poured like a Niagara into imagination, to support it, extend it.

The answer is simple. Those who have the vast resources to do it can’t see past what I called Set One.

Set One is the collection of their own perceived problems. For many, these are personal problems; for others, who look at wider vistas, these are also problems of humanity and civilization.

In either case, Set One circumscribes the individual. It binds consciousness so the individual can’t see anything else.

The individual absolutely can’t see what might happen to revolutionize consciousness itself. That’s the last possibility he will entertain.

Imagination revolutionizes consciousness down to its core. It shakes up What Is and replaces it with unfolding Possibility. And having made that change, the individual gazes at reality with new eyes. All codes and symbol structures disintegrate. From there on out, it is pure creation.

The men of this world who control money and everything it means are fabulously wealthy prisoners of Set One. They view their own amassed fortunes as rivers that flow directly into the arenas of problems—in order to solve those problems.

That road has a dead end. For example, the current financial crisis the planet is facing is the smash-up that occurs BECAUSE money has been used to solve money over and over—until the whole idea of money becomes ridiculous. Until money is pure fabrication of numbers stuffed into a yawning abyss that can never be filled.

Money as the problem and money as the solution to that problem are the final act in the play of Set One.

However, money launched to support imagination finally makes money make sense.

Because ultimately money is a symbol that REFERS TO IMAGINATION.

The hidden history of civilization is a history of FORGETTING WHAT MONEY REFERS TO. In that sense, the grinding effects of civilization on the individual, in the long run, are the catalogue of illustrations that reveal what happens when we all forget that money is a symbol that marries imagination in action.

Patronage of imagination is remembering. It is an act of remembering the psyche and spirit of the free individual who creates.

The extraordinarily wealthy come to view reality as TOYS. Pieces on a game board. They rearrange the pieces. They position their toys. They discard old toys and buy new toys. They collect toys. They label them. They arrange people as if they were toys. This is the game they play. They can only see the game. Imagination is not a game. It is pure creation. There are no boundaries. There are no mandatory pieces or toys.

Some will undoubtedly take this article as a criticism of the free market. It’s not. The free market is fine. This article is about what the future could be—not as some final shape or destiny, but as an exploding epoch of unshackled imagination in action, along every avenue of human endeavor.

The highest achievement of the free market is money fueling great imagination, and the great money men of this world had better realize it. Their preoccupation is leading them into substituting synthetic endless money for CREATION. Along that channel, they will only see their own wretched reflection in a shattered mirror.

There is a kind of equation here. THE OBSESSION TO CONTROL=FAILURE OF IMAGINATION.

When the elites view the planet as a game board, they naturally slip into the only kind of solution they can entertain: control the game.

This can go so far as depopulation and gross restriction of freedom. And it works, as far as these power players are concerned, because they are viewing with a profound detachment.

They are detached from people, and also from their own imaginations.

Imagination seeks and generates possibilities that have never existed before. Many so-called scientists are fond of saying imagination is nothing more than the reshuffling of old ideas in the brain. They say this for one reason and one reason only. They are philosophic materialists. They believe that all causation is merely a long chain of events in which each “billiard ball” strikes another billiard ball. They do not believe in freedom. They would never consider that something can come from nothing.

But that is exactly what happens in imagination, which is not a material thing or process. Imagination invents.

Materialists who become desperate enough will manipulate people, in order to make them into destructive agents. Then, the materialists will look at these manipulated people and say, “Do you see? You can’t trust these mobs. You have to control them to within an inch of their lives. You have to plan out their societies for them.”

This is the morality of materialists at the end of their tether.

At the same time, a relatively free country like America has been disintegrating into spectatorship for a long time. In this process The People surrender their own imaginations to entertainment. Bread and circuses. The real revolution would be a revolution of imagination, in which people at large immersed themselves in creating, inventing, on a new open level.

Then the chains of master and slave would be snapped. Then and only then.

To opt for THIS, to become a patron of THIS would signal a new epoch for the human race.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.