The vision of technocracy and your future

Technocracy for planet Earth

by Jon Rappoport

January 8, 2018

“Well, boys, we’ve got this strange thing called THE INDIVIDUAL. Could somebody tell me what he is? He’s not conforming to our algorithms. He’s all over the place. And while we’re at it, what the hell is this IMAGINATION? It keeps slipping out of our grasp, it doesn’t fit the plan…”

PART ONE

—Technocrats say they want to wipe out poverty, war, and inequality. But in order to achieve these lofty goals (or pretend to), they need to re-program humans—

Technocracy is the basic agenda and plan for ruling global society from above, so we need to understand it from several angles.

Consider a group of enthusiastic forward-looking engineers in the early 20th century. They work for a company that has a contract to manufacture a locomotive.

This is a highly complex piece of equipment.

On one level, workers are required to make the components to spec. Then they must put them all together. These tasks are formidable.

On another level, various departments of the company must coordinate their efforts. This is also viewed as a technological job. Organizing is considered a technology.

When the locomotive is finished and delivered, and when it runs on its tracks and pulls a train, a great and inspiring victory is won.

And then…the engineers begin to think about the implications. Suppose the locomotive was society itself? Suppose society was the finished product? Couldn’t society be put together in a coordinated fashion? And couldn’t the “technology of organizing things” be utilized for the job?

Why bother with endlessly arguing and lying politicians? Why should they be in charge? Isn’t that an obvious losing proposition? Of course it is.

Engineers could lay out and build a future society that would benefit all people. Disease and poverty could be wiped out. Eliminating them would be part of the blueprint.

This “insight” hit engineers and technicians like a ton of bricks. Of course! All societies had been failures for the same reason: the wrong people were in charge.

Armed with this new understanding, engineers of every stripe began to see what was needed. A revolution in thinking about societal organization. Science was the new king. And science would rule.

Of course, for an engineered world to work, certain decisions would have to be made about the role of the individual. Every individual. You couldn’t have an air-tight plan if every human were free to pursue his own objectives. Too many variables. Too much confusion. Too much conflict. Well, that problem could be solved. The individual’s actions would be tailored to fit the coordinated operations of the planned society.

The individual would be “one of the components of the locomotive.” His life would be connected to other lives to produce an exemplary shape.

Yes, this could imply a few problems, but those problems could be worked out. They would have to be worked out, because the overriding goal was the forming of a world organization. What would you do if one bolt (an individual human) in one wheel of a locomotive was the wrong size? You would go back and correct the error. You would re-make the bolt.

Other people entered the game. High-echelon Globalists saw technocracy as a system they could use to control the population.

Essentially, an already-misguided vision of a future technocratic utopia was hijacked. Something bad was made much worse.

In a nutshell, this is the history of technocracy.

A locomotive is a society? No. That was the first fatally flawed idea. Everything that followed was increasingly bizarre.

Unfortunately, many people in our world believe in Globalism, if you could call a partial vague view a legitimate belief. They dreamily float on all the propaganda cover stories—greatest good for the greatest number of people; no more poverty; equality of sharing; reducing the carbon footprint; a green economy; “sustainable development”; international cooperation; allotting production and consumption of goods and services for the betterment of everyone; and all of this delivered from a central platform of altruistic guidance.

If you track down the specifics that sit under these cover stories, you discover a warped system of planning that expresses control over the global population.

The collective utopia turns out to be a sham.

Waking up is hard to do? Breaking up is hard to do? They must be done.

A workable technological fix is a very nice achievement when the project is a machine. But transferring that glow of victory to the whole of society is an illusion. Anything that calls itself education would tackle the illusion as the first order of business.

Engineering society requires engineering humans.

That is the fatal flaw.

It’s called mind control.

PART TWO

Any genuine artist, any builder of communities, any sane activist, any honorable visionary stands outside technocracy, and is not part of this program.

Instead, his thrust is toward more individual freedom and a more open society with greater decentralization of power.

Decentralization is the key.

The use of technology does not imply living inside its control. The use of technology does not imply that society should be laid out like a giant machine with fitted parts.

Those futurists who have offered “overall plans” for the disposition of society generally ignore or sidestep the issue of who is going to administer the plan. To say this is an error is a vast understatement.

Where is one far-reaching center of power in our world that would run society?

All such centers of power are, first and foremost, dedicated to their own survival. And after that, they are dedicated to control of the territory they believe they own. THE INDIVIDUAL is a messy thing that needs to be sidelined or dealt with as a disruptive element.

I speak to those people who understand that the idea of the free, independent, powerful, and creative individual is being sidelined, shelved, and sent down the memory hole. This is no accident. This isn’t just a devolutionary trend. Technocrats see this as a necessary action, in order to “clean up” their equation for the civilization they’re building. The individual is a slippery variable that throws a monkey wrench into formulas.

PART THREE

Imagination never dies.

It belongs to the individual. It isn’t property of the group.

It enables solutions that eradicate problems and get out ahead of problems before they raise their heads.

Time and time again, the individual, as he wends his way through life, encounters persons and organizations that consider imagination a negative. In the clearly defined shapes of society, imagination must take a back seat to planning.

Is the individual resistant to such manipulations, or does he give in?

This is the key question.

Does the individual view society as an operation that can potentially lift up individuals and empower them? Or does he give in to the idea that society should create more and more dependent people?

The individual can be a source of spreading freedom, or he can defend the notion that there are an endless number of “entitlements” that must be honored.

Technocracy promotes entitlements as a doorway into the future. Its ultimate entitlement goes this way: you have the right to be re-programmed to believe you have a slot in the future world; we will make this slot as attractive as possible; you will serve the overall good as we engineer it.

That is the fundamental justification for the Welfare State. It’s the justification for a future technocratic policy which will assign citizens energy quotas. A citizen would be permitted to consume a set amount of energy in a given time period. (So-called smart meters are a step in that direction. The meters enable more specific measurements of energy consumption.)

This is how technocracy views the future…your future.

The ultimate technocratic vision? Your brain is a processor, and your brain is your mind. That’s all your mind is. Therefore, connecting your brain to a super-computer, or to the Cloud, will magically expand your mind and make it “more than human.”

You will become trans-human. A hybrid of human and machine.

This is the fairy tale to end all fairy tales.

It’s wishful fantasy dressed up as science.

The idea is: you will become More. You will overcome the limits and problems associated with being an individual.

Every individual will receive the same information and the same answers and the same solutions from the Cloud. AUTOMATICALLY.

This is the programmer’s wet dream.

Technocrats will thus be able to build a global society and control its every facet.

That’s the revolution.

The counter-revolution is YOU.

The free individual.

Never forget it.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Who I write for

Who I write for

by Jon Rappoport

January 8, 2018

“Imagination is the soul’s way of saying: I never give up.” (The Magician Awakes, Jon Rappoport)

I have published this piece before. It stands as my best description of why I do what I do. And now I’m adding a new introduction:

When I began writing seriously, in the summer of 1959, the idea that I would focus on The Individual was the farthest thing from my mind.

I assumed everyone was an individual. Case closed. Why bother to mention it? Why bother to think about it?

Even then, though, a massive propaganda operation was underway. It was aimed at replacing the individual with the group. Some people call this cultural Marxism. It’s much larger than that. It’s Collectivism at every possible level. It aims to eradicate the individual’s awareness that he is an individual. Why? Because if he truly knows what he is, then he also knows that society and civilization are opposing him. They are dedicated to the creation and sustenance of groups. Groups are manageable. Individuals aren’t.

Needless to say, much has happened since that time.

Skipping ahead, by the late 1990s it had become apparent to me that many people were falling by the wayside. Their “universal tolerance” was a form of self-sabotage. They were sacrificing themselves on the soft buttery altar of “doing good.” It was obvious to me, for example, that the notion of repairing all past injustices of society was a well with no bottom. It was a covert op. It was an attempt to entangle minds in a case of amnesia about individual power. Rather than trying to raise people up, it was a plan to victimize a permanent (and ever expanding) underclass.

I wasn’t sure my message about all this would reach many readers. I wasn’t sure what their reaction would be. But I didn’t care. I was motivated to make my case. So I did. So I do.

And lo and behold, people have responded. Over and above the nonsensical static of trolls and self-appointed victims, a wave of confirmation reached me. People were still there—as individuals. They knew it. They were seeing the demise of society around them.

Beyond confirmation, though, what I was aiming at was (and is) expansion of individual power. Not just an acknowledgment of it.

Power. Creative power. The power of imagination. The capacity of the individual to conceive of his deepest desires, pursue them, and turn them into visible fact in the world. (This is shorthand for what I cover extensively in my collection, Exit From The Matrix.)

Since I was a child and read great sea-adventure novels and science fiction novels, I assumed that fleshing out a vision of what one wants for his future was the obvious and standard enterprise for every person. Of course, I was grossly overestimating the situation. But I never lost that fundamental understanding. And never will.

Societal reality, consensus reality, “world reality,” is basically a gigantic covert op. It’s designed to keep the individual inside a set framework of response and consent. It is hugely destructive. As a reporter for the past 30 years, I’ve investigated many cases and angles of this op, and I’ve published my findings without compromise.

But always, above and beyond that, I’ve been referring to the individual and his capacity to create and build better realities of his own choosing. Gorgeous, free, open, wild, unfettered, majestic realities.

That’s my introduction, for the moment. Here is the article, Who I write for:

Consciousness.

Freedom.

Power.

The individual.

Imagination. Creating new realities.

Society and civilization as a potential force for helping to liberate the individual.

Underneath all my articles, all my investigations into corruption and crime at the highest levels, these above factors have been my motivation,

Who do I write for?

I write for people who recognize they can do something for themselves and others, who can improve their lives and consciousness and power.

I write for people who want to increase their own power.

I’ve been at this for 35 years. I recognize there are people out there who dig down and discover massive chunks of corruption, crime, and conspiracy in the world—and then they twist that knowledge to say: “See, this is why I can’t make any progress in life. This is why I’m blocked. This is why I’m having trouble. This is why I can’t do anything.”

I’m not writing for those people.

They’re using their hard-won knowledge to doom themselves to a life they don’t want. They jumped out of one box and put themselves in another one.

Regardless of how bad things are in this world, there is always something a person can do. For himself, and for others.

In doing that, in moving toward the life he wants most profoundly, in taking creative action, he becomes more alive, more conscious, more powerful.

He is the person I’m writing for.

I’m writing for those men and women.

There is the Personal and the Planetary. They can’t be entirely separated and walled off from each other.

But that doesn’t mean one sphere should be absorbed in the other.

You can’t eliminate personal desire from the equation and expect to find all the life you want. It doesn’t work.

I write for people who have at least glimpsed the power of their own imaginations, and want to increase that power.

I write for people who, becoming aware of how fake realities are built, cross over and realize they can invent better realities and futures.

I write for people who can wake up to that.

I write for people who want to understand the details of how corrupt and deceptive realities are built. My investigative articles serve that purpose.

I write for the individual.

I write for myself.

I write to expose corruption to the light of day, because I want to.

I write for people who understand they can become more alive.

I write for people who are willing to consider something new, who aren’t trapped by the belief that everything important is ancient.

I write for people who hunger for adventure.

I write for people who know they have the strength to make something happen.

I write for people who suspect they have latent capabilities that can come to the surface.

I write for people who realize answers and solutions to their own lives come from themselves.

I write for people who refuse to relinquish their individuality.

I write for people who want to increase the power and range and scope of their own imaginations, in order to discover and invent new startling enterprises and adventures.

I write for people who are on a spiritual road that isn’t clouded by convenient slogans, who know their journey is unique to them, and not part of a system.

I write for people who’ve taken hold of their own freedom and want more freedom.

I write for people who can follow a train of thought.

I write for people who have done their best to make their way through life, who sense there is something more, who want knowledge that will be liberating, not entrapping.

I write for people who, acknowledging that systems and structures can be quite useful, reject the idea that all of life is encompassed by a system.

I write for people who want more power to think, do, create—rather than being told what to think and create.

I write for people who, understanding conspiracies, don’t fold up, but rather, as my friend Catherine Austin Fitts says, want to start their own (good) conspiracy.

I write for all these reasons and more.

I write for people who, when they discover how much corruption abounds, refrain from demanding that others tell them what to do about it—but rather discover/invent for themselves what actions they can take.

I write for people who don’t give up.

I write for people who have already found some answers and some success, and want more.

I write for pleasure and enjoyment.

I write for people who want to read.

I write for people who want to consider ideas that reach miles and miles past the borders of consensus reality.

I write for people who are sick and tired of how this world is being run, and want to do something about it, want to discover the creativity within themselves that will provide answers.

I write for people who never give up.

I write for people who want to make a better world, by their own definition, and will work toward that end.

I write for people who have thrown away this formula: a) blaming others for their own shortcomings; and b) using that blame to build their own personal prisons of despair.

I write as part of the business I run, the sole proprietorship called nomorefakenews. On that site, I sell my products. I’m an entrepreneur. I believe in giving value for value. Since I started nomorefakenews in 2001, I’ve written a stream of articles people can, in fact, read for nothing.

I write for people who can follow this train of thought: a) discover the nuts and bolts of how elites invent reality for rest of us (The Matrix Revealed); b) instead, extend the power of their own imaginations and invent better realities (Exit From The Matrix); and c) attain the power to operate inside and outside the Matrix (Power Outside The Matrix). Yes, that’s a plug for my three Matrix collections.

I write for people who aren’t afraid of having power.

I write for people who know the difference between belonging to a group that ultimately asks them to surrender their own individuality, and a group composed of true individuals.

I write for people who do their best to weather every storm.

I write for people born into a place that has been taken over by corrupt fascists.

I write to rise as high as I can.

I write to expose every restraint of freedom I can perceive.

I write to say this space-time box is not the only place there is.

I write to say every individual who inhabits a physical form is immortal, whether he likes it or not…and it’s better to face the truth than deny it.

I write to promote both logic and imagination—each in its own sphere of action.

I hope I write for you.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


(New piece up at my other blog OUTSIDE THE REALITY MACHINE entitled “The artist inside”. Click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The individual vs. group mind control

The Individual vs. the Staged Collective

by Jon Rappoport

December 27, 2017

“The individual sees how a machine is put together. He sees the pieces and the systems. Because he is creative, he doesn’t stop there. He doesn’t automatically believe in the machine and accept it as the final THING. He can invent a better machine—or no machine at all. He has the latent power to go outside the machine and invent in a different way. He can CREATE HIS OWN WORLD. It isn’t a bubble that separates him from the commonly shared world. It is inserted into the common world. It is built on different ideas. He is alive, his creative force is alive, and so what he builds will be alive, too. This is a kind of natural magic. A magic that is inherent in him. It surpasses the ordinary strictures of society. Am I talking about imagination? Absolutely. This is where it starts. This is where the new path originates. This is the dream and the vision. In my collection, Exit From The Matrix, I include a large set of imagination exercises that are designed to liberate that far-reaching quality of the individual. Does the quality have a limit? No. It isn’t a machine or a robot or a computer. It isn’t programmed. And that’s the whole point. The limitless nature of imagination wakes up the individual. He wakes up to infinity.” (Notes on Exit From The Matrix, Jon Rappoport)

Trumpets blare. In the night sky, spotlights roam. A great confusion of smoke and dust and fog, and emerging banners, carries the single message:

WE.

The great meltdown of all consciousness into a glob of utopian simplicity…

There are denizens among us.

They present themselves as the Normals.

Beyond all political objectives, there is a simple fact: those group-mind addicts who have given up their souls will rage against the faintest appearance of one who tries to keep his. And in this rage, the soulless ones will try to pull the other down to where they live.

And somehow, it all looks normal and proper and rational.

In the 1950s, before television had numbed minds and turned them into jelly, there was a growing sense of: the Individual versus the Corporate State.

Something needed to be done. People were fitting into slots. They were surrendering their lives in increasing numbers. They were carving away their own idiosyncrasies and their independent ideas.

But television, under the control of psyops experts, became, as the 1950s droned on, the facile barrel of a weapon:

“What’s important is the group. Conform. Give in. Bathe in the great belonging…”

Recognize that every message television imparts is a proxy, a fabrication, a simulacrum, an imitation of life one step removed.

When this medium also broadcasts words and images of belonging and the need to belong, it’s engaged in revolutionary social engineering.

Whether it’s the happy-happy suburban-lawn family in an ad for the wonders of a toxic pesticide, or the mob family going to the mattresses to fend off a rival, it’s fantasy time in the land of mind control.

Television has carried its mission forward. The consciousness of the Individual versus the State has turned into: love the State. Love the State as family.

In the only study I have been able to find, Wictionary partially surveys the scripts of all television shows from the year 2006, to analyze the words most frequently broadcast to viewers in America.

Out of 29,713,800 words, including the massively used “a,” “an,” “the,” “you,” “me,” and the like, the word “home” ranks 179 from the top. “Mom” is 218. “Together” is 222. “Family” is 250.

This usage reflects an unending psyop.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

“When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “You fight for the guy next to you.” “Our department is like a family.” “Here at Corporation X, we’re a family.”

The committee, the group, the company, the sector, the planet.

The goal? Submerge the individual.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

The soap opera is the apotheosis of television. The long-running characters in Anytown are irreversibly enmeshed in one another’s lives. There’s no escape. There is only mind-numbing meddling.

“I’m just trying to help you realize we all love you (in chains).”

“Your father, rest his soul, would never have wanted you to do this to yourself…”

“How dare you set yourself apart from us. Who do you think you are?”

For some people, the collective “WE” has a fragrant scent—until they get down in the trenches with it. There they discover odd odors and postures and mutations. There they discover self-distorted creatures scurrying around celebrating their twistedness.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Hypnotic perceptions, which are the glue that holds the territory together, begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?

And then perhaps one person in the cave suddenly says: I EXIST.

That starts a cacophony of howling.

In the aftermath of the 1963 assassination of JFK and the 1995 bombing of the Federal Building in Oklahoma City, the covert theme was the same: a lone individual did this.

A lone individual, detached from the group, did this. “Lone individuals are people who left the fold. They wandered from the communal hearth. Therefore, they inevitably became killers.”

In 1995, after the Oklahoma City Bombing, President Bill Clinton made a speech to the nation. He rescued his presidency by essentially saying, “Come home to the government. We will protect you and save you.”

He framed the crime in those terms. The individual versus the collective.

The history of human struggle on this planet is about the individual emerging FROM the group, from the tribe, from the clan. The history of struggle is not about the individual surrendering and going back INTO group identity.

Going back is the psyop.

The intended psyop.

As the trumpets blare in the night sky, as the fog-ridden spotlights roam, as the banners emerge carrying the single message, WE, as people below are magnetically drawn to this show, a unpredicted thing happens:

Someone shouts: WHAT IS WE?

Other pick up the shout.

And the banners begin to catch fire and melt. They drip steel and wax and the false grinding of hypnotic dreams breaks its rhythm.

The whole sky-scene stutters like a great weapon losing its capacity to contain heat. The sky itself drips and caves inward and collapses, and the trumpets tail off and there is a new fresh silence.

The delusion, in pieces, is drifting away…

The cover: gone.

Behind it is The Individual.

What will he do now?

Will he seek to find his inherent power, the power he cast aside in his eagerness to join the collective?

Will he?

Or will he search for another staged melodrama designed to absorb him in an all-embracing WE?

Will he understand he has the power to create a new far-reaching reality of his own choosing, or will he, once again, submit to the idea that reality must be concocted by the Group?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

A break from reality: the path of the artist

A break from reality: the path of the artist

by Jon Rappoport

December 19, 2017

“The artist invents new space, where there wasn’t space before, and then he creates new energies there. Artists produce unprecedented dimensions and worlds.” (The Magician Awakes, Jon Rappoport)

Among all spiritual paths described by teachers, now and in the past, the one represented by artists is unique.

Quintessentially unique.

Why? Because—and this is vital to understand—the path of the artist has no explicit cosmology, no preordained content, no catalog of wisdom.

In other words, no prior meaning has been imposed on it.

This is not a path replete with its own metaphysics.

No one is in charge of the path.

For all these reasons, the path of the artist is not normally recognized as being spiritual.

And yet it is. It is forged in freedom, and it has been established by artists from the dawn of time, from the moment the first human scratched the first drawing on the wall of a cave.

He was saying, “Reality is not final.”

“The wisdom of the clan isn’t the only wisdom.”

He was saying, “This path is for the individual.”

Who knows what price he paid for his daring?

But he opened the way for all artists to come.

There is a line that separates everything a person knows from the Mystery that lies beyond.

Most people are content to rearrange and filter and study what they already know. They may glimpse the sea of mystery, but they don’t want to enter it, because: they have no map.

And yet, the key to greater consciousness is always in that mystery.

The mystery can be entered, but not through conventional means. It can be traveled, but not with someone else’s navigation chart. It can be illuminated, but not through a process of head-on discovery.

The mystery is progressively revealed through the act of creating. The act of imagining. The act of inventing what wasn’t there before.

This is what the artist does.

He brings about a dimension-shift.

He makes quantum leaps, spontaneous actions, improvisations that have never occurred before, that are unique to him, in the moment.

As a resultant effect, he experiences insights that are beyond his current state of knowing, beyond what anyone else in the universe can transmit to him.

This path, obviously, is not a system. It is beyond all systems and structures. Beyond all charts, all diagrams, all blueprints, all cohered wisdom.

This path is always new.

That is its opportunity: to transcend repeating and restating what you already know and limiting where you can go.

It’s the opportunity to move out of the welter of thoughts that occupy your mind, into the action of inventing new reality—on a blank canvas, on an empty page, and most importantly, on the yet uncreated space of your future.

We are all artists who make reality. We are meant for that life, in the same way the body is meant for breathing and moving.

In these times, many people have opted for a more passive form of spirituality, in which acceptance of things-as-they-are is considered an end in itself.

Along the artist’s path, spontaneously, rise up answers to the most profound questions you have been asking, since it first occurred to you that life, mind, thought, and the universe might be more than they seem.

These answers are uniquely yours. They’re not replicas, they’re not copies; they’re not second-hand.

They incur no debt or obligation. They’re free, and they expand freedom. They’re yours, and they transform your energy. They’re new, and they initiate your intensified experience of the moment, the here and now.

Everything I’m describing and alluding to here is different from the work of the Reality Manufacturing Company (RMC), which spools out Things-As-They-Appear-To-Be.

In the political arena, for example, the RMC manufactures untold numbers of cover stories, to obscure the fact that Control is the single goal of elites.

At the apex of the pyramid of control is mind control:

A shared understanding (illusion).

“We all know that ABCDEF are true.”

Defection from the illusion is easy to label a mental disorder.

The physical world is real. Claiming it is the only reality is a strategy designed to keep the individual from embarking on his path of creating realities.

On that path, in freedom, the individual finds his own truth.

“Re-entering” the world with that truth is power. Leverage. Unshakable personal unique knowledge.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Just in time: a new holiday

Just in time: a new holiday

by Jon Rappoport

December 10, 2017

“Central government employs many meddlers. They have found the one thing they can do: mind other people’s business. Otherwise, they’d be pumping gas in Death Valley.” (The Underground, Jon Rappoport)

In case you’ve been living under a rock—the government decides what health/medical treatments you can legally take and which you can’t. It does this by deploying a stranglehold on practitioners.

For example, it’s perfectly fine if doctors kill you with chemo, but they can’t suggest medicines the government hasn’t approved, even if those medicines might save your life.

Because the government wants to protect you. Or, to put it another way, it wants to control you.

Laws and agencies exist to make that happen.

Once that basic framework was put in place, powerful pharmaceutical companies used it to rule out their competition. Who couldn’t see that coming?

To be more accurate, the laws and agencies which control your health options were established, in the first place, through pharma influence.

You won’t find legal justification for this tyrannical system in the Constitution. The founding document is troublesome, because it tends toward individual freedom.

In a fairly reasonable world, people in government might believe their version of medical care is the best one, but they wouldn’t be able to enforce it. An individual might decide to try a treatment government “experts” consider ridiculous or even dangerous.

This is part of what being free means.

The government is intent on sticking its nose into other people’s business and meddling and making decisions for them—wherever and whenever it can get away with it.

You and I should be able to say, “No.” Just a simple no.

Seeing the many ways to say no, in many diverse circumstances, ought to be an essential aspect of the education system, since it was originally invented to teach students what it meant to be a citizen in a new form of government, called a Republic. That Republic was all about hamstringing central power.

However, the expansion of overweening government was accompanied by an education system that, increasingly, dedicated it resources and time to coercing students to prefer and celebrate various forms of authoritarian power (no accident), and saying no is a subject that falls outside the system.

Hence the great need for home schooling—when it is done well.

The logic is quite clear: when freedom is encroached upon and whittled away, saying no is a positive act.

Unfortunately, many parents don’t see it that way. They want to believe in a universal New Age YES which embraces all existence. It takes about two minutes to refute that generalized gibberish—and to expose it as a combination of fear and totalitarian Niceness.

I’m waiting for a company to start producing tiny plastic trophies, which will be awarded to every newborn baby.

NO is a great thing. And it does lead to YES on many other fronts.

Since this is the holiday season, including Thanksgiving and Christmas, people are urged to be thankful, grateful, and opt for peace and good will. That fine, but I think we need another holiday:

THE NO DAY. THE DAY OF SAYING NO.

At a meal with family and friends, we join hands around the table, and each person mentions several important things he is saying no to.

It’s a way of clearing the air and reminding ourselves of that fundamental individual right and power.

Put NO out there. Make it definite.

If you must, you can wear a smile while you’re doing it, but you don’t have to.

A smile doesn’t guarantee happiness and victory. On the other hand, great satisfaction can occur without a grin.

I think this holiday needs more than one day. How about a week?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The depletion of human energy

The depletion of human energy

by Jon Rappoport

December 5, 2017

Energy.

As in: energy depletion.

Without energy, the individual feels trapped. In that state, he seeks to conform, fit in, survive long enough to die of old age.

Body and mind deploy various feedback mechanisms to inform a person about his “available supply of energy,” and when these signals are taken as absolute truth, trouble comes.

“I can sense my energy is dwindling. So I have to…settle for less, or see a doctor, or give up, or accept that I’m getting older, or change my values, or tune up a victim-story, or join a group, or…”

On and on it goes.

In this twilight zone, the individual is unwilling to consider solutions that could restore his vitality. He’s already opted for a lower level of life.

In particular, he’s unwilling to explore the one aspect of his capability that works like magic: imagination.

That’s out. No dice. Preposterous. Absurd.

After all, imagination is just that spring rain he felt as a child, that unknown space that held all the promise in the world.

That was then; this is now.

Now is sober reflection. Now is routine. Now is habit. Now is empty.

Once upon a time, he read a science fiction novel and, at the end of it, he felt as if he were standing, triumphant, in deep space at the crossroad of a hundred solar systems.

Now he knows there is no such place. Now he is intelligent.

And now he has no energy.

The light that once flared is gone.

The idea that his own imagination could lead him to discoveries beyond anything he knows is fool’s gold.

Yes, once when he was twenty, he woke up in the middle of the night and walked to his window and looked out over a city and knew he was on the cusp of an endless future…but what can he do about that now? There is no returning.

So his imagination waits. It idles.

Yet…if he took a chance, if he began to dream again, if he started up the engine, if he considered offloading the interlocking systems that have become his daily life, what might happen?

What layers of dead thought might peel away?

What abiding convictions might dissolve?

What energies might be restored?

Is there a huge space beyond his common neurological impulses and rigid survival habits, where Vision can be played out on a vast scale?

Is there a different kind of life he can enter, crossing the threshold from tired knowledge into mystery?

Can he take a route around his stale reality after opening the door to his imagination?

There is, in fact, a silent channel that winds through the entire time-scale of the human race.

History does not officially record it, because history is written by winners for losers, and this channel has nothing to do with pedestrian notions of victory or defeat.

The route of imagination has no truck with conventional space or time. It invents its own, and eventually introduces them into the world.

How many stories are there about journeying knights who cross the boundary from ordinary events into a realm of magic?

The stories are messages…sent to ourselves, to remember. This place, this day, this moment is a platform from which to embark.

Adventure, with no end.

Imagination.

Energy.

(New piece up at my other blog OUTSIDE THE REALITY MACHINE entitled “Notes on archetypes, landscapes, models, symbols, icons, idols”. Click here.)


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The power of the individual vs. the staged collective

The Individual vs. the Staged Collective

by Jon Rappoport

December 4, 2017

“The individual sees how a machine is put together. He sees the pieces and the systems. Because he is creative, he doesn’t stop there. He doesn’t automatically believe in the machine and accept it as the final THING. He can invent a better machine—or no machine at all. Something else. He has the latent power to go outside the machine and invent in a different way. He can CREATE HIS OWN WORLD. It isn’t a bubble that separates him from the commonly shared world. It is inserted into the common world. It is built on different ideas. He is alive, his creative force is alive, and so what he builds will be alive, too. This is a kind of natural magic. A magic that is inherent in him. It surpasses the ordinary strictures of society. Am I talking about imagination? Absolutely. This is where it starts. This is where the new path originates. This is the dream and the vision. In my collection, Exit From The Matrix, I include a large set of imagination exercises that are designed to liberate that far-reaching quality of the individual. Does the quality have a limit? No. It isn’t a machine or a robot or a computer. It isn’t programmed. And that’s the whole point. The limitless nature of imagination wakes up the individual. He wakes up to infinity.” (Notes on Exit From The Matrix, Jon Rappoport)

Trumpets blare. In the night sky, spotlights roam. A great confusion of smoke and dust and fog, and emerging banners, carries the single message:

WE.

The great meltdown of all consciousness into a glob of utopian simplicity…

There are denizens among us.

They present themselves as the Normals.

Beyond all political objectives, there is a simple fact: those group-mind addicts who have given up their souls will rage against the faintest appearance of one who tries to keep his. And in this rage, the soulless ones will try to pull the other down to where they live.

And somehow, it all looks normal and proper and rational.

In the 1950s, before television had numbed minds and turned them into jelly, there was a growing sense of: the Individual versus the Corporate State.

Something needed to be done. People were fitting into slots. They were surrendering their lives in increasing numbers. They were carving away their own idiosyncrasies and their independent ideas.

But television, under the control of psyops experts, became, as the 1950s droned on, the facile barrel of a weapon:

“What’s important is the group. Conform. Give in. Bathe in the great belonging…”

Recognize that every message television imparts is a proxy, a fabrication, a simulacrum, an imitation of life one step removed.

When this medium also broadcasts words and images of belonging and the need to belong, it’s engaged in revolutionary social engineering.

Whether it’s the happy-happy suburban-lawn family in an ad for the wonders of a toxic pesticide, or the mob family going to the mattresses to fend off a rival, it’s fantasy time in the land of mind control.

Television has carried its mission forward. The consciousness of the Individual versus the State has turned into: love the State. Love the State as family.

In the only study I have been able to find, Wictionary partially surveys the scripts of all television shows from the year 2006, to analyze the words most frequently broadcast to viewers in America.

Out of 29,713,800 words, including the massively used “a,” “an,” “the,” “you,” “me,” and the like, the word “home” ranks 179 from the top. “Mom” is 218. “Together” is 222. “Family” is 250.

This usage reflects an unending psyop.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

“When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “You fight for the guy next to you.” “Our department is like a family.” “Here at Corporation X, we’re a family.”

The committee, the group, the company, the sector, the planet.

The goal? Submerge the individual.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

The soap opera is the apotheosis of television. The long-running characters in Anytown are irreversibly enmeshed in one another’s lives. There’s no escape. There is only mind-numbing meddling.

“I’m just trying to help you realize we all love you (in chains).”

“Your father, rest his soul, would never have wanted you to do this to yourself…”

“How dare you set yourself apart from us. Who do you think you are?”

For some people, the collective “WE” has a fragrant scent—until they get down in the trenches with it. There they discover odd odors and postures and mutations. There they discover self-distorted creatures scurrying around celebrating their twistedness.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Hypnotic perceptions, which are the glue that holds the territory together, begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?

And then perhaps one person in the cave suddenly says: I EXIST.

That starts a cacophony of howling.

In the aftermath of the 1963 assassination of JFK and the 1995 bombing of the Federal Building in Oklahoma City, the covert theme was the same: a lone individual did this.

A lone individual, detached from the group, did this. “Lone individuals are people who left the fold. They wandered from the communal hearth. Therefore, they inevitably became killers.”

In 1995, after the Oklahoma City Bombing, President Bill Clinton made a speech to the nation. He rescued his presidency by essentially saying, “Come home to the government. We will protect you and save you.”

He framed the crime in those terms. The individual versus the collective.

The history of human struggle on this planet is about the individual emerging FROM the group, from the tribe, from the clan. The history of struggle is not about the individual surrendering and going back INTO group identity.

Going back is the psyop.

The intended psyop.

As the trumpets blare in the night sky, as the fog-ridden spotlights roam, as the banners emerge carrying the single message, WE, as people below are magnetically drawn to this show, a unpredicted thing happens:

Someone shouts: WHAT IS WE?

Other pick up the shout.

And the banners begin to catch fire and melt. They drip steel and wax and the false grinding of hypnotic dreams breaks its rhythm.

The whole sky-scene stutters like a great weapon losing its capacity to contain heat. The sky itself drips and caves inward and collapses, and the trumpets tail off and there is a new fresh silence.

The delusion, in pieces, is drifting away…

The cover: gone.

Behind it is The Individual.

What will he do now?

Will he seek to find his inherent power, the power he cast aside in his eagerness to join the collective?

Will he?

Or will he search for another staged melodrama designed to absorb him in an all-embracing WE?

Will he understand he has the power to create a new far-reaching reality of his own choosing, or will he, once again, submit to the idea that reality must be concocted by the Group?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.